LIEN, Hsien-Sheng
LIEN, Hsien-Sheng
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Born in 1959 in Taipei, Lien Hsien-Sheng has studied musicology with Hsu Tsang-Houei, music theory with Lu Yen, music analysis with Chang Hao and esthetics of music with Tam Ka-git after graduation from the Law School of National Taiwan University. He has also translated "Technique de Mon Langage Musical" by Olivier Messiaen into Chinese and published it in Taiwan. In 1993, he went to France for advanced studies with the scholarship offered by the government of Taiwan. He studied composition with Alain Weber, Jacques Castérède, Yoshihisa Taïra and Michaël Levinas in Paris. In the spring of 2005, he received his doctor degree in Music and Musicology of Twenty Century at the University of Paris IV – Sorbonne with his dissertation on the Chinese composer Qigang Chen's works and contemporary Chinese and Japanese music. As a composer, Hsien-Sheng Lien was awarded the first prize of Creation of Literature and Art by the Ministry of Education Taiwan in 1998 and has won the first prize of 2005 Formosa Composition Competition with his work "Eprouvante Simplicité" for soprano, baritone and ensemble of eight musicians, as well as the second prize of 2006 Hsu Tsang-Houei International Music Composition Award with his work "Le vent, la terre et le chant" for mix chorus, piano, percussion and bamboos. As postdoctoral fellowship, he continued his study of the twenty century’s Taiwan and Asian music in the Institute of Taiwan History, Academia Sinica. In 2014, he published "Yinyue de Xiandaixing yu Shuqingxing – Taiwan Shiyie de Dangdai Dongyia Yinyue" (Modernity and Lyricism in the Contemporary Music of Taiwan and East Asia). Actually, he is associate professor and director of the Music Department in National Pingtung University.
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Nan Kun Sheng | for Orchestra | 2018 | 8'30" |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Le vent, la terre et le chant | for mixed chorus, piano, percussion and bamboos | 2006 | 8'45" | |
Smile in the Wind | for mixed chorus with bamboos | 2006 | 8'30" | |
La lune se lève | for soprano, flute and percussion | 1996 | 11'15" | |
Les Roseaux | for soprano and piano | 1996 | 8'30" |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Far Call from Mount Dawu | for Trumpet (with Piano as Resonator) | 2018 | 7'30" | |
Afterglow in Autumn Hills, | for Flute and Zheng | 2017 | 7'30" | |
Four Pieces for Flute and Zheng | for Flute and Zheng | 2016 | 13'30" | |
Je bois seul lors de pluies continuelles II | for Zheng and String Quartet | 2016 | 12'30" | |
Divertissement Indifférent | for Soprano, Cello and Piano | 2011 | 9'30" | |
Morning River, a Babbling Brook… | for Cello and Piano | 2010 | 16' | |
Trois pièces du printemps | for Wind Quintet | 2008 | 10' | |
Les parfums descendent et flottent sur l’eau | for Ensemble of Chinese instruments | 2006 | 6'30" | |
Eprouvante Simplicité | for soprano, baryton and ensemble | 2005 | 8'15" | |
Jeux des fleurs du prunier | for violin and piano | 2002 | 18' | |
Rappel de l'âme | for clarinet, violin, cello and piano | 2000 | 15' | |
Je bois seul lors de pluies continuelles | for String Quartet | 1997 | 12' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Deux piecès pour piano | for piano solo | 1995 | 9'40" |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
Title | Instrumentation | Year | Duration |
---|---|---|---|
Nan Kun Sheng | for Orchestra | 2018 | 8'30" |
Four Pieces for Flute and Zheng | for Flute and Zheng | 2016 | 13'30" |
Divertissement Indifférent | for Soprano, Cello and Piano | 2011 | 9'30" |