CHEN, Lily
CHEN, Lily
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Lily Chen (b. 1985), born in Taiwan, is a composer exploring sonic and theatrical potentials in both acoustic and electronic music. Her music shapes evocative atmospheres that point towards subtle poetic commentary on her observations about literary, emotional, or social aspects of the contemporary situation.
Lily's music has been performed at several international festivals, including Underwood New Music Readings, June in Buffalo, Mise-en Festival, International Computer Music Conference, SEAMUS National Conference, New York City Electroacoustic Music Festival, and Asian Composers League Conference and Festival. She has also collaborated with St. Louis Symphony Orchestra, American Composers Orchestra, Taiwan Philharmonic (National Symphony Orchestra), National Taiwan Symphony Orchestra, Taipei Symphony Orchestra, Little Giant Chinese Chamber Orchestra, Ensemble Signal, Mivos Quartet, Ensemble Cairn, Ensemble Mise-en, Eco Ensemble, Splinter Reeds, E-MEX Ensemble, among others.
Recently she received her Ph.D. in music composition from the University of California at Berkeley, where she studied with Ken Ueno, Edmund Campion, Franck Bedrossian, and Cindy Cox. She also received her master's and bachelor's degrees from Taipei National University of the Arts in Taiwan, under the instruction of Chung-Kun Hung. She is currently an Assistant Professor of composition at Taipei National University of the Arts. For more information, please visit http://chenlily.com
Title | Instrumentation | Year | Duration | NCAF-funded |
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A Leaf Falls After | orchestra (2222-4231-3perc-pn-strings) | 2017 | 12' | |
Another Leaves Fall After | chamber orchestra (2121-2110-2perc-66432) | 2017 | 12' | |
Whirling Waves | orchestra (3232-4331-4perc-hp-strings) | 2007 | 8' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Postcards for Messiaen | female voice and piano | 2013 | 10' | |
A Cappella | chorus for seven part | 2005 | 9' | |
Gliding Exercises | soprano and piano | 2004 | 5' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Shimmering in the Air | haegeum, viola and live electronics | 2018 | 9' | |
Sundowning | accordion and guitar | 2017 | 8' | |
Fuing, Refusing, Diffusing | 長笛,單簧管,低音管,鋼琴,擊樂,豎琴,小提琴,中提琴,大提琴 | 2015 | 11'30" | |
till we're all in a whirl hitting the ground | alto saxophone and bass clarinet | 2015 | 7' | |
Rambling | flute, clarinet, trombone, and double bass | 2012 | 10' | |
Soundscape | violin, percussion, and piano | 2011 | 10' | |
Four Moods | flute, cello, and piano | 2009 | 12' | |
Tableau | string quartet | 2009 | 10' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Be Flower, Be Water | bass clarinet | 2019 | 6' | |
Hypochondriasis | chin (古琴) and live electronics | 2014 | 10' | |
Microcosmos | a percussionist | 2010 | 10' | |
Phase Transition | prepared 21-string zheng (預置 21 絃箏) solo | 2008 | 10' | |
Postures of the Last Blossoms | alto saxophone solo | 2005 | 8' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
collective project Triple Music | for percussions and live installations (集體創作) | 2015 | 30' |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
Title | Instrumentation | Year | Duration |
---|---|---|---|
Be Flower, Be Water | bass clarinet | 2019 | 6' |
Shimmering in the Air | haegeum, viola and live electronics | 2018 | 9' |
Fuing, Refusing, Diffusing | 長笛,單簧管,低音管,鋼琴,擊樂,豎琴,小提琴,中提琴,大提琴 | 2015 | 11'30" |