YEN, Ming-Hsiu
YEN, Ming-Hsiu
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Ming-Hsiu Yen (b. 1980) is an internationally-acclaimed composer and pianist. Born in Taiwan, her compositions have been performed in American, Asia and Europe. She has collaborated with conductors, such as Osmo Väskä, Shao-Chia Lü, Alexander Drčar, Kenneth Kiesler, Adrian Schneider, Christopher Lees, Nikolas Caoile, Amy Chang, Yin-Fang Chang, and with such orchestras as the Minnesota Orchestra, Taiwan Philharmonic, YinQi Symphony Orchestra and Choir (Taiwan), Dunshan Symphonic Wind Orchestra (China), University of Michigan Symphony Orchestra, Taipei National University of the Arts Symphony Orchestra, and by such ensembles as PRISM Quartet, Brave New Works, OSSIA, Music From China, among others. She is winner of the 22nd Asian Composers League Yoshiro Irino Memorial Prize and Heckscher Composition Prize, and awarded prizes from the League of Composers/ISCM-USA Competition, the governmental Literary and Artistic Creation Competition (Taiwan), and the Sun River Composition Competition (China). She has received commissions from the Taiwan Philharmonic, Hanson Institute for American Music, New Sounds Music, Inc., New Music Project, Chinese Music Teachers Association of Northern California, and renowned performers.
Her compositions have been frequently presented in music festivals and concerts, including "The Wire Dancer" (2017), commissioned by the Felix Mendelssohn Bartholdy Conservatory Competition, 2017 Hakka Musical "Hope to Light" (Taiwan), 2016 Hakka Musical "Xiangsi - Nostalgia" (Taiwan), the 2015 Taiwan Philharmonic China Concert Tour (Xiamen, Hong Kong), the 2015 Dunshan Symphonic Wind Orchestra Taiwan Tour Concerts (Taipei, Tainan), 2014 Louisiana Bass Fest, 2014 Spring Autumn Music (Taipei), 2013 Nong Project (Seoul), 2013 International Alliance for Women in Music Annual Concert, 2013 Taiwan Philharmonic Europe Concert Tour (Berlin, Geneva, Udine), Bass2012 Copenhagen, 2011 The Intimacy of Creativity (Hong Kong), 2011 Asian Composers League Conference (Taipei), 2008 Minnesota Orchestra Composers Institute, 2007 Pacific Music Festival (Sapporo), 2006 Aspen Music Festival, etc. In addition, her music has been released on the Naxos Records, Albany Records, Innova Recordings, and Blue Griffin Recording labels and has been digitally-released on the Naxos Music Library.
Actively performing as a soloist and chamber musician, Ms. Yen has premiered her own work and many new works of living composers and frequently performs in new music festivals. She was awarded prizes from the 2009 Grieg Festival Young Artists Competition and the 2006 Young Artist Competition of the Ann Arbor Society for Musical Arts. She is also a two-time winner of the University of Michigan Concerto Competition, performing concertos by Barber in 2004, Yen’s own concerto in 2005, and Corigliano in 2008 with the University of Michigan Symphony Orchestra.
Since 2013, she has been frequently invited by the Taiwan Philharmonic to curate, lecture, and perform in the Philharmonic’s chamber concerts, as well as giving pre-concert talks for subscription concerts. She has also given lectures in Universität der Künste Berlin, Université de Genève, Xinghai Conservatory of Music (China) and various universities and organizations in Taiwan.
Ms. Yen holds degrees from the University of Michigan (DMA in composition; MM in composition and in piano performance) and the Eastman School of Music (BM in composition and in piano performance, with a distinguished honor of Performer's Certificate). At the University of Michigan, she was funded with full scholarship and was awarded the distinguished Rackham Predoctoral Fellowship during her final year. Her primary composition teachers have included Bright Sheng, William Bolcom, Betsy Jolas, David Liptak, Ricardo Zohn-Muldoon, Christopher Rouse, Steven Stucky, and Gordon Shi-Wen Chin. As a fellow of 2008 Minnesota Orchestra Composer Institute, she worked with Aaron Jay Kernis. She has also studied with Herbert Willi at the 2007 Pacific Music Festival, and with Sydney Hodkinson at the 2006 Aspen Music Festival and School. Her piano teachers in USA have included Logan Skelton, Nelita True and Vincent Lenti.
Ms. Yen is currently Associate Professor of Composition and Theory at the Taipei National University of the Arts in Taiwan. She has also served as Adjunct Associate Professor/Composer-in-Residence at the Hong Kong University of Science and Technology and taught music theory at the University of Michigan. (Website: www.minghsiuyen.com)
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
EVERLASTING LOVE | 3333/ 4221/ Timp/ 3 Perc/ 1 Harp/ Strings | 2018 | 35' | |
SPEAKING EYES | 2222/ 4221/ Timp/ 3 Perc/ Strings | 2018 | 8'30" | |
NURSERY RHYMES | for ranat ek, piphat ensemble and Chinese Orchestra | 2017 | 10'30" | |
SAI YOK WATER FALL | for voice and Chinese | 2017 | 12' | |
TOY KALEIDOSCOPE | 3322/ 4221/ Timp/ 2 Perc/ 1 Harp/ Strings | 2016 | 5' | |
DEAR DOTS | 3222/ 4221/ Timp/ 3 Perc/ 1 Harp/ Narrator/ Strings | 2015 | 18' | |
Concerto for saxophone and wind ensemble | Picc / 2 Fl / 2 Ob / 2 Bsn / 7 Cl in Bb / B. Cl in Bb / 1 Alto Sax in Eb / 1 T. Sax in Bb / 1 Bar. Sax in Eb / 1 B. Sax in Bb / Alto Sax Solo / 3 Tpt in Bb / 4 Hn in F / 2 T. Trb / B. Trb / 2 Euph / 2 Tba / 4 Perc | 2014 | 11'30" | |
BREAKING THROUGH | 3333 / 4331 / Timp / 3 Perc / Strings | 2013 | 13' | |
FLYING TOWARDS THE HORIZON | 3222 / 4221 / Timp / 3 Perc / Celesta / Strings | 2012 | 12'40" | |
THE SONG OF LIFE | 1111 / 2111 / Perc / Soprano solo / Bariton Solo / Chorus (SATB) / Strings | 2010 | 35' | |
YUN | 3333 / 4331 / Timp / 3 Perc / Strings | 2006 | 10' | |
BALAFAN | piano and orchestra 3333 / 4331 / Timp / 3 Perc / Harp / Piano / Strings | 2004 | 12' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
THE SOUND OF THE SEA | for SATB choir | 2000 | 6'30" |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Through the Eyes of the Dragonfly | for two flutes and piano | 2017 | 10'21" | |
CINA CUMA | for viola and piano | 2016 | 8'40" | |
HAKKA CAPRICCIO | for cello octet | 2015 | 7' | |
IN SEARCH OF THE LIGHTHOUSE | for piano four hands | 2015 | 7' | |
CAVE UNDER THE WELL | for double bass quartet | 2014 | 4' | |
DAWN | for violoncello and piano | 2014 | 6'40" | |
PARCHED SUMMER | for double bass and piano | 2014 | 6' | |
TOY KALEIDOSCOPE | for piano four hands | 2014 | 7'15" | |
VOICES FROM THE REMNANTS | for sheng and string quartet | 2014 | 10' | |
REFLECTIONS | for violoncello and piano | 2013 | 20' | |
DEPARTURE | for piano four hands | 2012 | 3'20" | |
KUANG TSAO | for flute and piano | 2012 | 6'45" | |
DAWN | for double bass and piano | 2011 | 6'40" | |
LEGO CITY | for clarinet, violin, cello and piano | 2011 | 10' | |
MOVEMENTS | 7 players | 2007 | 6' | |
PHALAENOPSIS | for violin and piano | 2007 | 7'30" | |
ELEGY | for saxophone quartet | 2005 | 8' | |
MIDNIGHT SUN | for percussion quartet | 2005 | 8' | |
SORROWFUL BEAUTY | for clarinet and string quartet | 2003 | 9' | |
DUET | for violin and piano | 2000 | 9' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
ONE, TWO, THREE | for solo piano | 2018 | 3'20" | |
THE WIRE DANCER | for solo violin | 2016 | 7'15" | |
FANTASY AMOUR | for solo piano | 2013 | 5' | |
MIRRORS OF TIME | for solo piano | 2013 | 6'30" | |
TWO OLD POSTCARDS FROM FORMOSA | for solo piano | 2007 | 9' | |
FELINE… | for solo contrabass | 2006 | 4'15" | |
THE BEAM OF LIGHT | for solo clarinet | 2006 | 7' | |
THE FORGOTTEN CORNER | for solo piano | 2005 | 7'30" | |
MOVEMENTS | for solo piano | 2002 | 12' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
LEFT BEHIND | Electronics | 2005 | 4'45" | |
ICICLES | Electronics | 2004 | 4'40" |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
SONGS OF FLOWERS | 2017 | 8' | ||
AUTUMN WIND NIGHT RAIN | for violin and piano | 2016 | 4'20" | |
CIINA CUUMA | for orchestra | 2016 | 6'15" | |
SONG OF AN-PING | for violin and piano | 2016 | 4'30" | |
JUNE JASMINE | for brass ensemble | 2015 | 3' | |
SONGS OF FLOWERS | for voice, viola and piano | 2014 | 8' | |
FATHER LOVES US ALL | 2222 / 4220 / Timp / Chorus / Strings | 2008 | 5' | |
LET ALL MORTAL FLESH | 2222 / 4220 / Timp / Soprano / Strings | 2005 | 9' |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
Title | Instrumentation | Year | Duration |
---|---|---|---|
Through the Eyes of the Dragonfly | for two flutes and piano | 2017 | 10'21" |
CINA CUMA | for viola and piano | 2016 | 8'40" |