WANG, Chih-Yun
WANG, Chih-Yun
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Taiwanese composer, Chih-Yun Wang (b.1995)
Chih-Yun is a D.M.A. candidate in Composition at Taipei National University of the Arts (TNUA) under the tutelage of Ching-Mei Lin and Tsung-Hsien Yang. She also received her B.M. and M.M. in music and composition at TNUA.
Her music is mainly an extension of her understanding of life based on her own life experiences. By exploring musical instruments, she creates a delicate world of sound that is filled with emotion. Chih-Yun is an Artist-in-residence composer in 2023 CREATORS Sound Off Up-and-Coming Creators Residency Program in Taiwan Sound Lab. She has also received a number of prizes, awards, grants and scholarship, including Sempre Musick 2023 Composition Competition Honorable Mentions, Ma Shui Lung Composition-Awards Scholarship, Orchestra Members’ Choice Prize and Honorable Mention Prize in 2017 Composition Competition of National Taiwan Symphony Orchestra (NTSO), a finalist in the 2020 Kaleidoscope Competition, 2017 TNUA Emerging Young Artists Prize..., Her works have been supported by Taiwan National Culture and Arts Foundation and Taiwan Sound Lab of C-LAB.
Her music has been featured at concerts and festivals included e.g., 2022 ACL Festival(NZ), ARCo opus 2022(AT), ilSUONO Contemporary Music Week 2022(IT), SounDrama Studio 2020, International Computer Music Conference (ICMC) 2018 (KR) and Tokyo College of Music& TNUA Concert 2019(JP), and has been performed, and/or commissioned by maestro Jun Märkl and National Symphony Orchestra (NSO), National Taiwan Symphony Orchestra (NTSO), TANA Quartet, Ensemble Multilatérale, Ensemble Suono Giallo, Sidera Saxophone Quartet, MIT Saxophone Ensemble, TNUA Percussion Ensemble as well as Fabrice Pierre and Ensemble Atelier XX-21 at CNSMD de Lyon(FR), among others.
Additionally, She has participated in international lessons, master classes and courses with composers, among them: Cindy McTee, Unsuk Chin, Anders Hallberg, Edmund Campion, Clara Iannotta, Francesco Filidei, Henry Fourès, Eva Reiter, Yann Robin, Johannes Maria Staud, Keiko Harada, Jean Geoffroy, Lei Liang, Yu-Hui Chang and Mei-Feng Lin.
The Shouts from Afar
2020
The Seven Rites of Sakura
2019
The Five Versions of A Dream
2022
Liminality
2022
Cantilena of Shivering Bow
2021
Avidyā Mist
2021
The Seven Rites of Sakura
2019
Vitreous Island
2018
Pastel Resflections
2017| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| R' ra | for Orchestra | 2023 | 2'20" | |
| Tear: Echo | for Orchestra | 2021 | 1'30" | |
| Far Within | for Orchestra | 2017 | 9'05" |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| In Dreanland | for Female Chorus | 2015 | 6'30" | |
| In Dreanland | for Male Chorus | 2015 | 6'30" |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| Liminality | for Clarinet, Double Bass and Piano | 2022 | 6'00" | |
| The Five Versions of A Dream | for Clarinet and String Quartet | 2022 | 10'30" | |
| Before the Mist | for Large Ensemble | 2021, 2023 | 10'00" | |
| After Imagining Dancing in the Moonlight | for Flute, Cello and Piano | 2021 | 7'00" | |
| Avidyā Mist | for Large Ensemble | 2021 | 24'30" | |
| Nocturne and Intermezzo Capriccioso | for Violin, Viola, Cello and Piano | 2021 | 11'00" | |
| Flaneur | for Saxophone Ensemble | 2020 | 16'00" | |
| The Shouts from Afar | for Violin and Piano | 2020 | 8'30" | |
| The Seven Rites of Sakura | for Wind Quintet | 2019 | 25'50" | |
| Vitreous Island | for Two Pianos | 2018 | 20'00" | |
| Pastel Resflections | for Septet | 2017 | 8'30" |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| The Misreading of Penrose | for Amplified Double Bass and electronics | 2023 | 12'00" | |
| Cantilena of Shivering Bow | for Percussion solo and electronic music | 2021 | 13'30" |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
| Title | Instrumentation | Year | Duration |
|---|---|---|---|
| Liminality | for Clarinet, Double Bass and Piano | 2022 | 6'00" |
| Avidyā Mist | for Large Ensemble | 2021 | 24'30" |