HU, Yu-Chun
HU, Yu-Chun
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Taiwanese Composer, Yu-Chun Hu (aka Chloé Hu) has been awarded by Henry Mancini Foundation. The spread of her music includes contemporary, film score, and theatrical sound design. Apart from above, her collaborations with various contemporary artists, designers, and exhibitions are heard around the world.
Yu-Chun began her composition study with Mao-Shuen Chen at the age of fifteen, and received B.A in composition at National Taiwan Normal University in 2001. Eventually, she decided to expand her composition world beyond the concert hall, and began her film scoring studies at New York University where she studied film scoring with Ira Newborn and Ron Sadoff, composition with Pedro Da Silva, and received her master degree in 2008. Later she moved to Los Angeles to extend her career as well as enter her Ph.D program in composition at University of California-Los Angeles, studying composition with Paul Chihara, Ian Krouse, Roger Bourland; film scoring and Musical song-writing with Peter Golub. In summer of 2014, Yu-Chun received her Ph.D.
In 2008, Yu-Chun was admitted into NYU/ASCAP Foundation Film Scoring Workshop in Memory of Buddy Baker with the honored recipient of The Buddy Baker Scholarship.
In addition to her work, Dr. Hu is the founder and Artistic Director of NeoSonance - new music ensemble, the leader/founder of the band Dr. FANCY, and served as chief executive officer of FORMUSIC - Taiwanese Composer Alliance (2020-2022). After teaching at National Dong Hwa University, Soochow University, and National Taiwan Normal University as adjunct assistant professor in Taiwan, Ms. Hu decided to devote herself to being a full-time composer.
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Ghost Night | for orchestra | 2010 | 1' | |
Knocking on the Dawn | for orchestra | 2008 | 7' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
The Everlasting Light | for baritone, flute, piano | 2023 | 6' | |
The Bird | for SATB | 2022 | 4' | |
Walking | for SATB | 2022 | 4' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Praise Dance | for violin and cello | 2023 | 7' | |
Symbiosis | for two pianos | 2022 | 8' | |
The Echo of Four Seasons | for flute and piano trio | 2022 | 5' | |
Breaking The Isolation - Fantasy for violin and piano | for violin and piano | 2021 | 8' | |
The Sky In Motion | for flute, clarinet, and tape | 2018 | 5' | |
Triptych of Awakening | for clarinet, cello, and piano | 2017 | 7' | |
Dance for Morsa | for flute, double bass, piano and drums | 2016 | 5' | |
As I See My Reflection in Your Eyes | for piano four hands | 2015 | 6'30" | |
Roaring Blue | for clarinet and piano | 2013 | 11' | |
A Happiness Carrier - song cycle | for mezzo soprano and piano | 2012 | 11'30" | |
Tracks In The Milky Way | trio for two violins and piano | 2012 | 13' | |
S-Curve | quartet for flute, clarinet, violin, and cello | 2011 | 10' | |
String Quartet | String Quartet | 2011 | 8' | |
Ripple | for two percussionists | 2008 | 6' | |
Zen | for wind trio | 2008 | 6' | |
Circuity | for wind trio | 2007 | 5' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
Into The Starry Night | for solo piano | 2023 | 7' | |
The Impermanence Of Permanence | for solo violin with audio | 2023 | 20' | |
The Purple Butterfly | for solo piano | 2023 | 8' | |
A Drifting Boat | for solo piano | 2021 | 7' | |
Wooden Techno Music Box | One Percussionist with tape | 2018 | 3' | |
HAKKA - 12 piano bagatelle | for solo piano | 2013 | 13' | |
Piano Fantasy | for solo piano | 2010 | 9' | |
Melting Point | for solo clarinet | 2008 | 5' |
Title | Instrumentation | Year | Duration | NCAF-funded |
---|---|---|---|---|
The Final Mission 2060 | 2023 | |||
Immersive Criminology Episode 1: LOST | 2022 | |||
The Garden Of Faith | 2021 | |||
Last Night, When The Stars Were Bright | National Theater, Taiwan | 2020 | ||
A Date with Myself | 2019 | |||
The Abandoned Deity | 2019 | |||
The Blue Horses | 2019 | |||
Finding Shangri-La | Shang Theatre, China | 2017 | ||
DreaMaker | 2014 | |||
The Electric Leg | 2012 | |||
Burning the Midnight Oil | 2010 | |||
Pick a Future | 2010 | |||
The Quiet Builder – John and Shige | 2010 | |||
River, Wind and Tree | 2009 |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
Title | Instrumentation | Year | Duration |
---|---|---|---|
Into The Starry Night | for solo piano | 2023 | 7' |
The Impermanence Of Permanence | for solo violin with audio | 2023 | 20' |
Symbiosis | for two pianos | 2022 | 8' |
The Bird | for SATB | 2022 | 4' |
Walking | for SATB | 2022 | 4' |