SHIH, Pei-Yu

SHIH, Pei-Yu

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Specializing in composition and musical art creation theory [instrumental and digital music, music and sound theater, musical], audio visual art and performing arts. She received a PhD degree, soloist diploma and master degree in musical composition separately from University of Birmingham UK, Music University Karlsruhe Germany, Taipei National University of Arts Taiwan and received several full-scholarships during her studies in Europe. Her works have been conferred several international composition awards including 4 first prizes, such as International Electroacoustic Music Composition Competition Musica Viva Portugal [electroacoustic work], Berlin-Rheinsberger Komposition Preis Germany [overall works], International Composition Competition Suono Sonda Italy [chamber music, audio and video production-audio part], unincluded the collaboration dance projects, her personal musical works were selected/invited by international contemporary electroacoustic music/art festivals and conferences, performed over than 60 concerts in Asia, USA, Canada, and European countries. She was a guest artist/composer at the Center for Art and Media Karlsruhe, the Institute of Language and Communication at the Technical University Berlin. She has received several international commissions including from Berlin Government, was invited as jury member of modern music and sound art Berlin as well as for composition scholarship of Cite’ International des Arts Paris. Of her works she has been portraited, interviewed, published by German, Taiwanese, Portuguese, French, Italian digital, live and printed media. Her musical thinking has been partly recorded by a dialog with German musicologist professor Rudolf Frisius, the article can be found by conference annual publication in 2003 by Institute of New Music and Musical Education Darmstadt, Germany. 

 

She has integrated tradition, modern and computer music languages to develop her personal musical art creation system and has engaged in cross-disciplinary arts creation, interpreting and producing her own works that she transforms literature, philosophy and aesthetic meaning to music construction; by structuring tone and sound to narrate, sculpt and to form the atmospheres and contrasts, visual senses and theatrical tensions; to present experimentations of music creations in form, expression, organization, construction and variations, to reflex a multiple personal artistic style. In year 2024, she received for her individual works 38 prizes [inclusive 25 pieces of the best and winner, 13 pieces of silver, bronze and honorable mention] by International Film/Design competitions from USA, Germany, France, India, Netherlands, Canada, in professional categories of Virtual Reality, Art Director, Web New Media Animation Short, Experimental Film, Animation Film, Original Score, Sound Design, Concept, Communication and Interactive Design etc. 

 

Work outline
◼Instrumental music [1994-2011]
Traditional and western instruments: solo; chamber music; orchestra work; instrument and digital media
◼Digital music [2001-2017]
Electronic and electroacoustic music; dance and film music; music theatre incl. immersive sound field; vocal and electronic music 
◼Images and audiovisual works [2011-2020]
Digital electronic & electroacoustic series; music fairy tale; poetry set; songbook series
◼Writings [2011-2021]
Handling plan and research report; paper; fiction; prose; poem; lyric; ballade; fairy tale

more
Selected works (Please wear headphones)
Maerchenetueden
2010-2011
PDF
Ler SHI
1995
PDF
Selected works (Please wear headphones)

Maerchenetueden

2010-2011

Ler SHI

1995
Orchestral/Concerto Works
Title Instrumentation Year Duration NCAF-funded
Qin Yue Orchestra 2006 7'21"
Vocal Works/Choral
Title Instrumentation Year Duration NCAF-funded
Poetry set Voice & electroacoustic/electronic music 2012-2015 28'28"
Darf ich dich zum Tanzen einladen? Soprano & electronic music 2012 0'21''
Fairy Tale [MA und AH] Soprano [incl. story telling and singing] and electronic music 2012 Chinese version 48'40''
Gang Soprano & electronic music 2012 4'46''
Songbook series Singer & electronic music 2012 51'06"
Cursive Flute, soprano and violoncello 2003 5'05''
Lieder ohne Wort Accapella 2000 8'15''
Strange head line Mezzo soprano and piano 1997 5'21''
Chamber Music Works
Title Instrumentation Year Duration NCAF-funded
Girasole Trumpet, tube, two percussion groups, piano, voice, guitar, violoncello 2011 34'05"
Compress Di, liuqin, pipa, yangqin, percussion, erhu 2009 7'30"
Quatet Four bassons 2008 2'06"
Mono Panflute, bassrecorder, qanun, perc., erhu, viola da gamba, di 2006 7'30"
Inclining Four percussion groups 2005 3'21''
Entstanden Zerbrochen Flute, clarinet, guitar, piano, percussion, violin, violoncello 2004 8'55''
Augenblick Accordion and violoncello 2002 3'19''
Cao Qie Di, sheng, liuqin, pipa, yangqin, percussion 2002 5'25''
Mountain Ghoust Di, percussion, harp, violoncello 1997 6'17''
Si Ming Pipa, liuqin, sanzian, yangqin 1997 13'44"
Turn Round Two yangqings and percussion 1997 5'21"
…Besides Pipa and piano 1996 12'33''
Gu Yuan Di, huqin, pipa 1995 6'20"
Ler SHI Di, pipa, sanxian, yangqin, huqin 1995 8'10''
Strange Land Flute, oboe, basson, yangqin, percussion and stringtrio 1995 12'30"
Zhao Sheng Five percussion groups 1995 10'06"
Reincarnation Bass-flute, bass-clarinet and piano 1994 22'05"
Solo Instrumental Works
Title Instrumentation Year Duration NCAF-funded
Maerchenetueden Piano 2010-2011 7'57''
An etude Flute 2005 2'13"
Ich singe allein Violin 2005 6'05"
Tintenfarbe Clarinet 2003 7'10"
Die Huo Yangqin 1994 4'21"
Electronics
Title Instrumentation Year Duration NCAF-funded
Electroacoustic and electronic music series Multichannel audio see note 115'30"
Escape Electronic music 2015 1'29''
Waiting Electronic music 2012 3'30''
Dream's Scene Multichannel audio 2012 1'16''
Dreieckige Beziehungen Multichannel audio 2012 5'41''
Flying I-IV Multichannel audio 2012 7'38''
Bird Multichannel audio 2010 3'54''
Milchstrasse Multichannel audio 2010 11'35''
F's 65 Multichannel audio 2009 1'05''
Red Chamber Multichannel audio 2009 7'41''
Abrupter Abbruch Contrabass and 6 loudspeakers 2008 6'54''
Slow Slow Tune Flute, clarinet, piano, violin, violoncello and 8 loudspeakers 2008 9'00"
Gedicht vom Wind des Herbstes Saxophone, piano, percussion and 8 loudspeakers 2007 10'23''
Fall, aus der Zeit Multichannel audio 2006 9'55''
Liu An Huwa Ming Multichannel audio 2006 7'58''
Zwei singende Klarinette Clarinet and multichannel audio 2006 10'00"
I am another yourself Pipa, light and 4 loudspeakers 2005 11'58''
Schein und Sein II Computer piano, a pianist and multichannel audio 2005 5'30''
Blume Hand Laecheln Percussion and 6 loudspeakers 2004 11'25''
Brennede Gedanken 4 loudspeaker 2004 9'35''
Schein und Sein I Computer piano and a pianist 2002-2003 5'05''
CHI-ruhende Kraft, Bewegungen 8 loudspeakers 2001-2002 13'05''
…Ausserdem 8 loudspeakers 2001 13'27''
Etuede Boesendorfer computer piano 2001 8'08''
Taipei Sketch Voice, instrumental occupation, tape and video [Y.M.] 2001 7'58''
Other
Title Instrumentation Year Duration NCAF-funded
Scene III Video and audiovisual media [9 phrases] 2017 7'47"
Scene I Video and audiovisual media [19 / variable numbers of movements] 2016/2024 28'28" / varied lengths
Scene II Video and audiovisual media [4 movements] 2016/2024 9'16"
Fairy tale [MA und AH] Video and audiovisual media [19 stories, 16 musical bridges ] 2012 48'43"
Poetry set Video and audiovisual media [19 pieces] 2012 25'36"
Songbook series Video and audiovisual media [10 series] 2012 51'36''

* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)

Title Instrumentation Year Duration