PAN, Hwang-Long
PAN, Hwang-Long
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Hwang-long PAN, two time Taiwan National arts award, born in Taiwan in 1945 and graduated from National Taiwan Normal University in 1971 with a Bachelor of Arts in music. In 1974 Pan entered the Musikhochschule und Musikakademie in Zurich and study composition with Hans Ulrich Lehmann and theory and counterpoint with Robert Blum. After graduating in 1976, he studied composition with Helmut Lachen¬mann at the Staatliche Hochschule fuer Musik und Theater in Han¬nover and from 1978 to 1982, with Isang Yun at the Universitaet der Kuenste Berlin. In 1982 he returned to Taiwan and became associate professor at the National Institute of the Arts in Taipei. He has been a professor of composi¬tion since 1991, director of research and development center from 1998 to 1999, Dean of Student Affairs from 2000 to 2002 and was elected to be Dean of School of Music from year 2002 to 2008 at the Taipei National University of the Arts (TNUA) and currently Emeritus Professor.
Pan is the founding president of the International Society for Contemporary Music (ISCM)-Taiwan Section and also is currently honorary president of ISCM-Taiwan Section. In 2007, He was elected to be Chairman of Taiwan Association of Composers and Asian Composers League-Taiwan National Committee. And reelected in 2010. In 2012, He was elected to be Chairman of Asian Composers League (ACL) in Israel. In 2014, He was elected to be honorary chairman of Taiwan Association of Composers and Asian Composers League-Taiwan National Committee.
Pan was the winner of the Foerderpreis des Juergen Ponto Kompositions-Wettbewerbs (1979), the Wu San-lien Award (1987) and Taiwan's National Arts Award (1992, 2003). His compositions have been performed by numerous ensembles including the Oesterr. Ensemble fuer Neue Musik (1980-), the Berlin Philharmonic Orchestra (1982), the Ensemble InterContemporain /IRCAM (1983), Philippine Philharmonic Orchestra (1985), Ju Percussion Group (1986-), Taiwan National Symphony Orchestra (1986-) the Arditti String Quartet (1988), the New Japan Philharmonic Orchestra (1989) the Shanghai Symphony Orchestra (1990), Contemporary Chamber Orchestra Taipei (1995-), the Kroumata Ensemble (1996), Forum Music Group (1996-), Chai Found Music Workshop (1996-), Trio Staege-Grimmer-Holliger (1999), ALEA III (1999), Boston Modern Orchestra Project (2000), Klangforum (2004), Singapore Chinese Orchestra (2013), Neuw Ensemble (2014), The Zurich Ensemble (2015), and Nina Janssen-Deinzer + Morgenstern Trio (2017). And International Gaudeamus Music Week (1980), ACL/APMF (Hong Kong 1981, Taipei 1986, Tokyo 1990, Seoul 1993, Taipei 1994, Taipei 1998, Hong Kong 2007, Seoul 2009, Taipei 2011, Singapore 2013, Tokyo 2014), ISCM/WNMD (Hong Kong 1988,Warsaw 1992, Bucharest 1999, Luxembourg 2000, Yokohama 2001, Bern 2004, Hong Kong 2007), Presences (Paris 1996), Hoergaenge Wien (2000), Berliner Festspiele (2002, 2004), Warsaw Music Gardens Festival (2006), Taiwan Philharmonia Malaysia-Kuala Lumpur tour (2007), Alaska Crosssound Music Festival (2009), A. Tansman Music Festival (2010), Beijing International Composers Workshop (2014), and China – ASEAN Music Week (2015, 16)…
East and West VIII
2013
East and West IX (9 Litter Pieces)
2017
Legends of the Hundred Peaks
2016
The Somnambulistic Girl
2014
Jade Hibiscus Double Concerto
2010
Concerto I
2009
Four Songs 1. Crossing to the Other Shore2. For the Whole World to Hear3. When the World Quiets Down4. Song of the Somnambulistic Girl
2007
Cause and Effect
2000
Labyrinth-Promenade
1988
Formosa Landscapes
1987
Kaleidoscope I
1986| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| Ode ad Musicam | For Orchestra | 2022/23 | 13’ | |
| Ode to culture | Concerto for Symphony Orchestra | 2020 | 40’ | |
| Ba-Yin | Concerto for Symphony Orchestra | 2019 | 30’ | |
| Da-Deng-Dui | Concerto for Symphony Orchestra | 2018/19 | 50’ | |
| Kuroshio Current Soundscapes | Concerto for Chinese Orchestra | 2016 | 11'15" | |
| Legends of the Hundred Peaks | Concerto for Chinese Orchestra | 2016 | 17'30" | |
| New Images of Taiwan | Concerto for Chinese Orchestra | 2015 | 43’ | |
| Taroko Landscapes | Concerto for Chinese Orchestra | 2015 | 15' | |
| Wind in the Pine Trees Double Concerto | Solo Di-Xiao, Pipa & Chinese Orchestra | 2014 | 11'30" | |
| Moon Over the Guan Mountain | Concerto for Chinese Orchestra | 2011 | 11' | |
| Jade Hibiscus Double Concerto | Solo Violin, Sheng & Orchestra | 2010 | 33’ | |
| Bass Clarinet Concerto | Solo Bass Clarinet and Chinese Orchestra | 2009 | 21'30" | |
| Bass Clarinet Concerto (Chamber Orchestra version) | Solo Bass Clarinet and Chamber Orchestra (Arranger/K. J. Lin, J. L. Pan, L. H. Tsai) | 2009 | 21'30" | |
| Bass Clarinet Concerto (Ensemble version) | Solo Bass Clarinet and 14 Players (Arranger/K. J. Lin, J. L. Pan, L. H. Tsai) | 2009 | 21'30" | |
| Praises•East and West | For Zheng and String Orchestra | 2009 | 13’ | |
| Heterophony | Concerto for Orchestra with Zheng, Piano, Organ & Traditional Beiguan Ensemble | 2005 | 47’ | |
| Cello Concerto | Solo Cello and Chamber Orchestra | 1996 | 28' | |
| Harmony of the World III | Orchestra | 1990 | 20'55 | |
| Formosa Landscapes | String Orchestra | 1987 | 15' | |
| Formosa Landscapes | Orchestra | 1987 | 15' | |
| Harmony of the World I | Orchestra | 1987 | 16'30" | |
| Harmony of the World I | Symphonic Band | 1987 | 16'30" | |
| And So Comes the Night | Voice and Orchestra (Poem: Ya Hsuen) | 1986 | 11'30" | |
| And So Comes the Night | Voice and Chamber Orchestra (Arranger/Ling-Hui Tsai) (Poet: Ya Hsuen) | 1986 | 11'30" | |
| Harmony of the World | Concerto for Orchestra | 1986 | 47' | |
| Wandlungsphasen IIA | Orchestra | 1982 | 15' | |
| Wandlungsphasen II | Orchestra | 1981 | 23' | |
| Metempsychose | Five Solo Strings and Orchestra | 1979 | 18'50 | |
| Penglai | Orchestra | 1978 | 8'45" | |
| A Night-Mooring Near Maple Bridge | Orchestra | 1974 | 10'30" |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| The Somnambulistic Girl | 8-Part Mixed-Chorus a cappella | 2014 | ||
| Swing | 8-Part Mixed-Chorus a cappella | 2009 | ||
| Lai Pi Dog | 4-Part Mixed Chorus and Piano | 2008 | ||
| Four Songs 1. Crossing to the Other Shore2. For the Whole World to Hear3. When the World Quiets Down4. Song of the Somnambulistic Girl | Voice and Piano | 2007 | 18'5'35"3'45"4'20"7' | |
| Proverb vs. Poetry I. | 12-Part Mixed Chorus a cappella | 2001 | 12'30" | |
| Cause and Effect | Voice and Piano | 2000 | 10'30" | |
| Yin-Yang IX | Narrator, 16-Part Mixed Chorus & 14 Instrumentalists | 1995 | 3'45" | |
| Yin-Yang VI | 8-Part Female Chorus & 3 Percussionists | 1995 | 3'30" | |
| Yin-Yang VIII | Narrator and 8-Part Mixed Chorus | 1995 | 3'30" | |
| Yin-Yang V | 16-Part Mixed Chorus and 14 Instrumentalists | 1994 | 2'45" | |
| Yin-Yang IV | Narrator, 8-Part Mixed Chorus & Tubular Chimes | 1993 | 2'30" | |
| Yin-Yang | Narrator, 16-Part Mixed Chorus & 14 Instrumentalists | 1992 | 35' | |
| Yin-Yang I | Narrator, 16-Part Mixed Chorus & 14 Instrumentalists | 1992 | 5'30" | |
| Yin-Yang II | Narrator, 6-Part Mixed Chorus & Woodwind Quintet | 1992 | 4'15" | |
| Yin-Yang Six Songs | Voice and Piano (Arranger/Mei-Fang Lin…) | 1992 | 22'25" | |
| And So Comes the Night | Voice and Piano (Arranger/Chin-Fong Yang) | 1986 | 11'30" | |
| Farewell | Mixed Chorus | 1971 | 2' |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| East and West IX (9 Litter Pieces) | Sheng, Clarinet, Pipa, Cello & Zheng | 2017 | 12' | |
| Fortune turns lick a wheel | Concerto for five Percussion Players | 2016 | 15’ | |
| Time and Space | Violin, Clarinet, Cello & Piano | 2014 | 13'15" | |
| East and West VII | Oboe, Sheng, Pipa, Zheng, Cello & Trombone | 2013 | 13'30" | |
| East and West VIII | Traditional Wind Instrument, Pipa, Zheng, Percussions, Piano, Violin & Cello | 2013 | 12’ | |
| East and West V | Zheng and String Quartet | 2009 | 9' (3'30") (5'30") | |
| Praises | Zheng and String Quartet | 2009 | 13’ | |
| East and West IV | Bamboo Instruments, Clarinet, Pipa, Zheng, Accordion, Huqin, Violin & Cello | 2008 | 4’15 | |
| East and West VI1. When the World Quiets Down 2. Song of the Somnambulistic Girl | Flute, Clarinet, Voice, Zheng & String Quartet | 2007 | 12’35" | |
| Percussion Legend | Percussion Quintet | 2004/2005 | 13’15 | |
| Schmetterlingstraum．East and West III | Music for CFMW & Klangforum | 2003 | 11’15 | |
| Percussion Theater |
Percussion Quartet | 2001/2002 | 16'15" | |
| Cause and Effect | Voice, Flute, Clarinet, Percussions, Violin & Cello | 2000 | 10'30" | |
| Cause and Effect | Voice, Percussions & Electone | 2000 | 10'30" | |
| Cause and Effect | Voice, Percussions & Piano | 2000 | 10'30" | |
| Cause and Effect | Voice, Percussion & Traditional Instruments | 2000 | ||
| Labyrinth-Promenade XIII | Any Number of Percussion Players | 2000 | 8"-13" | |
| East and West II | Huqin, Clarinet, Pipa, Percussion & Piano | 1999 | 11’43 | |
| Labyrinth-Promenade XII | Any Number of Piano Players | 1999 | 8"-13" | |
| East and West I | Bamboo Flute, Oboe, Viola, Zheng & Harp | 1998 | 12' | |
| Labyrinth-Promenade | Flute, Clarinet, Percussion, Piano, Violin & Cello | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute, Cello & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Violin, Clarinet & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Clarinet, Cello, Percussion & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Violin, Clarinet, Percussion & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Piano, Violin & Cello | 1998 | 13'-15' | |
| Labyrinth-Promenade | Clarinet, Percussion, Piano & Cello | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Percussion, Violin & Cello | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute and Cello | 1998 | 11"-13" | |
| Labyrinth-Promenade | Violin and Clarinet | 1998 | 11"-13" | |
| Labyrinth-Promenade | Flute and Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Clarinet and Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Violin and Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Cello and Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Percussion and Harp | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute and Percussion | 1998 | 13'-15' | |
| Labyrinth-Promenade | Clarinet/Bass Clarinet and Percussion | 1998 | 13'-15' | |
| Labyrinth-Promenade | Cello and Percussion | 1998 | 13'-15' | |
| Labyrinth-Promenade | Percussion and Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Violin, Cello & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Clarinet, Percussion & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Cello, Percussion & Piano | 1998 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Violin & Cello | 1998 | 13'-15' | |
| Labyrinth-Promenade IX | Any Number of Clarinet Players | 1998 | 8'-13' | |
| Labyrinth-Promenade VIII | Any Number of Flute Players | 1998 | 8'-13' | |
| Labyrinth-Promenade X | Any Number of Violin Players | 1998 | 8'-13' | |
| Labyrinth-Promenade XI | Any Number of Cello Players | 1998 | 8'-13' | |
| Labyrinth-Promenade | Bamboo Flute and Huqin | 1997 | ||
| Labyrinth-Promenade | Bamboo Flute, Yangqin & Huqin | 1997 | ||
| Labyrinth-Promenade V | Any Number of Huqin Players | 1997 | ||
| Labyrinth-Promenade VI | Any Number of Bamboo Flute Players | 1997 | ||
| Labyrinth-Promenade VII | Any Number of Yangqin Players | 1997 | ||
| Cello Concerto | Solo Cello and 13 Instrumentalists | 1996 | 28' | |
| Totem and Taboo | Percussion Sextet | 1996 | 15' | |
| Imagery | Bamboo Flute, Pipa, Percussion & Huqin | 1995 | ||
| Kaleidoscope III | Improvisation for Any Number of Musicians | 1995 | 11'-15' | |
| Yin-Yang VII | 14 Instrumentalists | 1995 | 2'45" | |
| Labyrinth-Promenade IV | Any Number of Pipa Players | 1994 | ||
| Yin-Yang III | 4 Pianos | 1993 | 4'15" | |
| Labyrinth-Promenade | Pipa and Zheng | 1992 | ||
| Labyrinth-Promenade | Bamboo Flute, Pipa, Zheng & Huqin | 1992 | ||
| Labyrinth-Promenade | Bamboo Flute, Pipa, Yangqin, Zheng & Huqin | 1992 | ||
| Labyrinth-Promenade | Traditional Instruments | 1992 | ||
| Labyrinth-Promenade | Bamboo Flute, Pipa and Zheng | 1992 | ||
| Labyrinth-Promenade | Pipa, Yangqin and Zheng | 1992 | ||
| Labyrinth-Promenade III | Any Number of Zheng Players | 1992 | ||
| Dialogue | Traditional Wind Instrument, Sheng, Pipa, Zheng, Percussion & Huqin | 1991 | ||
| Dialogue A | Traditional Wind Instrument, Pipa, Zhong Ruan (Doubling San Xuen), Zheng, Percussion & Huqin (Arranger/Pei-Yu Shi) | 1991 | ||
| Labyrinth-Promenade | Violin, Cello & Harp | 1989 | 13'-15' | |
| Labyrinth-Promenade II | Any Number of Trombone Players | 1989 | 8'-13' | |
| Kaleidoscope II | Improvisation for Any Number of Musicians | 1988 | 11'-13' | |
| Labyrinth-Promenade | Flute and Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Clarinet and Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Violin and Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Cello and Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Harp and Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade | Clarinet, Harp & Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade | Cello, Harp & Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Cello, Harp & Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Cello, Harp & Percussion | 1988 | 13'-15' | |
| Labyrinth-Promenade | Violin, Clarinet, Harp & Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Cello & Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Violin, Clarinet & Harp | 1988 | 11"-13" | |
| Labyrinth-Promenade | Flute, Clarinet & Harp | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Percussion, Harp, Piano, Violin & Cello | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Harp, Piano, Violin & Cello | 1988 | 13'-15' | |
| Labyrinth-Promenade | Flute, Clarinet, Harp, Violin & Cello | 1988 | 13'-15' | |
| Labyrinth-Promenade | Percussion, Harp & Piano | 1988 | 13'-15' | |
| Labyrinth-Promenade I | Any Number of Harp Players | 1988 | 8'-13' | |
| Formosa Landscapes | Woodwind Quintet | 1987 | 8'30" | |
| Formosa Landscapes | Flute Ensemble I | 1987 | 14'30" | |
| Formosa Landscapes | Flute Ensemble II | 1987 | 14'30" | |
| Formosa Landscapes | String Ensemble | 1987 | 13'45" | |
| Formosa Landscapes | String Quartet (Arranger/Yu-Jwen Cheng) | 1987 | 13'45" | |
| Formosa Landscapes | Clarinet, Cello & Piano | 1987 | 12' | |
| And So Comes the Night | Voice, Clarinet, Horn, Cello & Piano (Arranger/Kwei-Ju Lin) (Poet/Ya Hsuen) | 1986,1999 | 11'30" | |
| And So Comes the Night | Voice and 15 Instrumentalists (Arranger/Ling-Hui Tsai) (Poet/Ya Hsuen) | 1986 | 11'30" | |
| Kaleidoscope I | Music for Any Number of Musicians | 1986 | 8'-13' | |
| Wandlungsphasen III | For 16 Instrumentalists with/without 5 Assistant Instrumentalists | 1986 | 13' | |
| Majestätische Spielerei | Percussion Ensemble of 10 Players | 1985 | 16'30" | |
| Bachcab | Cello and Piano | 1984 | 11' | |
| Du, Ein sterblicher unnützer Mensch, was weisst du denn- | Baritone, Cello, Harp, Percussion & Piano | 1981 | 14'15" | |
| String Quartet III | String Quartet | 1981 | 13' | |
| Chi-Dai | Oboe, Clarinet & Bassoon | 1980 | 14' | |
| Clarinet Quartet | Clarinets (Eb, Bb, A) & Bass Clarinet (Bb) | 1980 | 21' | |
| Rondo | Violin, Cello & Piano | 1980 | 8' | |
| Erleuchtung | 2 Flutes, Harp, Cello & Double Bass | 1979 | 10'45" | |
| Kausalnexus | Woodwind Quartet | 1979 | 16' | |
| Transformation | Flute, Clarinet, Percussion & 2 Cellos | 1979 | 11' | |
| Ursache und Wirkung | Flute, Cello & Piano | 1979 | 9' | |
| Ursache und Wirkung A | Flute, Bass Clarinet & Piano | 1979 | 9' | |
| Wandlungsphasen for Eight Players | Flute, Clarinet I, II (Doubling B.Cl.), Guitar, Piano, Percussion, Violin & Cello | 1979 | 11'30" | |
| String Quartet II | String Quartet | 1977 | 18' | |
| Vogelperspektive | Marimba and Vibraphone | 1977 | 13' | |
| Lässt mich allein | Harp, Timpani, Double Bass & Piano | 1976 | 11' | |
| Tsien Huai IV | Trumpet and Trombone | 1976 | 7'30" | |
| Tsien Huai IA | Violin and Piano | 1975,1999 | 11'35" | |
| Tsien Huai I | Flute and Piano | 1975 | 11'35" | |
| 11'30" |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| Concerto I | Version for Solo Bass Clarinet | 2009 | 18' | |
| Labyrinth-Promenade XIV | Oboe Solo | 2008 | 8'-11' | |
| Labyrinth-Promenade XV | Bassoon Solo | 2008 | 8'-11' | |
| Labyrinth-Promenade XVI | Viola Solo | 2008 | 8'-11' | |
| Labyrinth-Promenade XVII | Double Bass Solo | 2008 | 8'-11' | |
| Labyrinth-Promenade XVIII | Accordion Solo | 2008 | 8'-11' | |
| Labyrinth-Promenade XIII | For One Percussionist | 2000 | 8'-11' | |
| Labyrinth-Promenade XII | For One Pianist | 1999 | 8'-11' | |
| Labyrinth-Promenade IX | Clarinet or Bass Clarinet Solo | 1998 | 8'-11' | |
| Labyrinth-Promenade IXA | For One Clarinetist | 1998 | 8'-11' | |
| Labyrinth-Promenade VIII | Flute Solo | 1998 | 8'-11' | |
| Labyrinth-Promenade VIII A | For One Flutist | 1998 | 8'-11' | |
| Labyrinth-Promenade X | Violin Solo | 1998 | 8'-11' | |
| Labyrinth-Promenade XI | Cello Solo | 1998 | 8'-11' | |
| Solo I | Harp Solo | 1998 | 4'30 | |
| Labyrinth-Promenade V | Huqin Solo | 1997 | 8'-11' | |
| Labyrinth-Promenade VI | Bamboo Flute Solo | 1997 | 8'-11' | |
| Labyrinth-Promenade VII | Yangqin Solo | 1997 | 8'-11' | |
| Concerto II | Version for Solo Cello | 1996 | ||
| Labyrinth-Promenade IV | Pipa Solo | 1994 | 8'-11' | |
| Labyrinth-Promenade III | Zheng Solo | 1992 | 8'-11' | |
| Labyrinth-Promenade II | Trombone Solo | 1989 | 8'-11' | |
| Labyrinth-Promenade I | Harp Solo | 1988 | 8'-11' | |
| Bilder aus der Kinderzeit | Piano Solo | 1983 | 14'15 | |
| Interim | Violin Solo | 1978 | 8' | |
| Tsien Huai II | Double Bass Solo | 1976 | 7'15 | |
| Tsien Huai III | Cello Solo | 1976 | 11' | |
| Tsien Huai V | Organ Solo | 1976 | 9' | |
| Weisser Jasmin im Juni | Piano Solo | 1976 | 11' |
| Title | Instrumentation | Year | Duration | NCAF-funded |
|---|---|---|---|---|
| Country Wine Song | Orchestral Song, Composer/Chuan-Sheng Lu, Orchestrator/Hwang-Long Pan | 1991 | ||
| Lullaby | Orchestral Song, Poet/Yun-Sheng Lu, Composer/Chuan-Sheng Lu, Orchestrator/Hwang-Long Pan | 1991 | ||
| Slow Slow Tune | Orchestral Song, Poet/Li-Ching Sung, Composer/Yong-Si Hwang, Orchestrator/Hwang-Long Pan | 1986 | ||
| Plow Song | Mixed Chorus a cappella (Taiwanese Folk Song) | 1982 | ||
| Remembering | Mixed Chorus a cappella (Taiwanese Folk Song) | 1982 | ||
| Weisser Jasmin im Juni | Mixed Chorus a cappella (Taiwanese Folk Song) | 1982 | ||
| Little River Flows | Mixed Chorus a cappella (Yunnan Folk Song) | 1969 |
* link to " NCAF online Archive of Grant Fruitages "website (in Chinese)
| Title | Instrumentation | Year | Duration |
|---|---|---|---|
| The Somnambulistic Girl | 8-Part Mixed-Chorus a cappella | 2014 | |
| Time and Space | Violin, Clarinet, Cello & Piano | 2014 | 13'15" |
| East and West VII | Oboe, Sheng, Pipa, Zheng, Cello & Trombone | 2013 | 13'30" |
| Moon Over the Guan Mountain | Concerto for Chinese Orchestra | 2011 | 11' |
| East and West VI1. When the World Quiets Down 2. Song of the Somnambulistic Girl | Flute, Clarinet, Voice, Zheng & String Quartet | 2007 | 12’35" |
| Percussion Legend | Percussion Quintet | 2004/2005 | 13’15 |
| Proverb vs. Poetry I. | 12-Part Mixed Chorus a cappella | 2001 | 12'30" |
Hwang-Long Pan, Leben und Werk (潘皇龍－生平與作品)
德國Shaker Verlag2004
Yu-Jen Sung（宋育任著）