Curator Chang I-Wen|Digital Corporeality2022-09-26

Curator Chang I-Wen|Digital Corporeality

SUMMARY

This video documents the making of Digital Corporeality, an exhibition curated by curator I-Wen Chang and supported by NCAF's Production Grants to Independent Curators in Visual Arts. It presents footage and interviews from the art venue, execution process, and curatorial practice.

As a performance critic and dance expert, the curator has traveled to major art festivals around the world over many years to do research on corporeality, choreography, performativity, digital art, technological art, and live art. This exhibition, Digital Corporeality, is based on her research and proposes a somaesthetic that integrates the viewpoints of technological art. Initially inspired by The Rite of Spring, different versions of The Rite of Spring were displayed at the entrance to explore the four aspects of digital corporeality: "Part 1: Future Body through Critical Lens", "Part 2: Corporeality, Materiality, and the Other", "Part 3: Inter-passivity", and "Part 4: AI, Big Data, and Digital Bodies", followed by "Epilogue: AI and Future Choreographies in the 21st Century", which echoes the performance documentation video series of The Rite of Spring at the beginning. From non-human theaters to an AI-generated choreography to connect with spirits, the exhibition contemplates possibilities of digital corporeality from multiple dimensions and offers a basis for diverse theories and exploration of digital corporeal experimentation, a hotly discussed topic at present.