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CASE STUDY
Articles describing the key processes of individual grantee projects
From Taoist Spiritual World to Sentient Beings in Society: Lin Ting-Syu’s Creative Development Post ‘Voyage through Mountains and Seas’
2024.11.15
Out the Theater and Back Again—the Three-Year Pilgrimage of The Rest
2024.10.25
On the Road in Search of My Name – Wang Yeu-Kwn
2024.10.04
From a Muggle in Documentary Making to An Experienced Fighter in International Pitching: A study on the NCAF’s Creative Documentary Film Project in the Case of XiXi
2023.08.11
Home, Under Construction – A Decade of Waiting, ‘After Passing Away’
2023.07.17
From Gunshots to Completion: Bringing People Together—Chronicles of the Production for And Miles to Go Before I Sleep
2023.06.16
Chu-Chen Hsiao and Her Lonely Southern Railway
2023.05.29
The House Is the Universe, Where Everything Comes to Life: Interview with Pei-Yu Shih, Director of Flying Group Theatre
2022.07.26
An Approach of No Bounds, Using Theater to Dialectically Examine Life -  Interview with ‘approaching theatre’ Artistic Directors Koh Choon Eiow and Cheng Yin-Chen
2022.06.28
Everything Is Wuxia—the Novels of Mo Shen
2017.10.26
Piracy on the Island – On ‘Every Film is an Enigma: Moving Images in the Black Box and the White Cube’ 
2017.10.24
Anchoring Down Reality in a Sea of Infinite Alternatives ── Yi-Hsin Nicole Lai’s ‘Shattered Sanctity’
2017.10.24