|
LIN, Wei-Chieh
|
Reverberation: Pulsating |
Six percussionists, installations, transducers and 6-channel electronic |
2024 |
75' |
|
|
LIN, Mei-Fang
|
R |
Two Dancers, Fixed & Live Electronics |
2023 |
30' |
|
|
HU, Yu-Chun
|
The Final Mission 2060 |
|
2023 |
|
|
|
HUANG, Ling-Hsuan
|
They never existed. |
Music theater of one performer, poetry, electronics and objects |
2023 |
15'00" |
|
|
HUANG, Ling-Hsuan
|
《CONTACT 高雄連線》 |
Multimedia Theater (Sound design) |
2022 |
24'00" |
|
|
LIU, Wei-Chih
|
Detective Deduction |
Electronic music |
2022 |
10' |
|
|
LIN, Chia-Ying
|
Hearing the Ears of Wheat |
for string orchestra |
2022 |
|
|
|
HU, Yu-Chun
|
Immersive Criminology Episode 1: LOST |
|
2022 |
|
|
|
CHIANG, Yi-Cheng
|
Molecular Sound feat. XXXX |
Perc. (MAM Timp., B.D, and object of installation art) and electrinics |
2022 |
22'00" |
|
|
HUANG, Ling-Hsuan
|
My Little Universe |
One Performer, Objects, Webcam Vedio and Electronics |
2022 |
8'00" |
|
|
CHANG, Wan-Yu
|
Percussive Fun |
Multiple Percussion Theatre |
2022 |
8'00" |
|
|
CHENG, I-Lly
|
Qualia |
Electroacoustic Music Theatre |
2022 |
60' |
|
|
LIN, Zoe (Yi-Cheng)
|
The First Contemporary Classical AI Composer Robot—The Debut Diary of Little Pi. |
|
2022 |
|
|
|
HUI, Tak-Cheung
|
The Invisible Landscape -the sonic past of the two cities (2022) |
Web-based Interactive installation |
2022 |
|
|
|
CHENG, Wei-Chung
|
Trace_Jun |
|
2022 |
|
|
|
CHANG, Wan-Yu
|
Pure*Fitting*Time |
Multiple Percussion Theatre |
2021-2022 |
20'00" |
|
|
LIU, Wei-Chih
|
Awakening |
Sheng, Percussion and 2 Dancers |
2021 |
52' |
|
|
LIN, Wei-Chieh
|
Love and Duty |
Video with 4-channel electronic |
2021 |
23' |
|
|
LIN, Wei-Chieh
|
MuYu: ode |
56 MuYu for five percussionists and video |
2021 |
47' |
|
|
HU, Yu-Chun
|
The Garden Of Faith |
|
2021 |
|
|
|
CHENG, Wei-Chung
|
Under Trees |
|
2021 |
|
|
|
CHIANG, Yi-Cheng
|
Epitome of Time Repetition |
2 Pipa, male voice and voice with Chinese opera, string quartet, and electronics |
2020 |
10'12" |
|
|
LIN, Zoe (Yi-Cheng)
|
“Score of Light”—Music and Light Installations |
Music and Algorithms of an out door music and light Installation |
2020 |
|
|
|
LEE, Chien-Yu
|
A streak of light |
Arranger for Digital Music |
2020 |
7' |
|
|
LIN, Chia-Ying
|
Anamorphosen |
for string orchestra |
2020 |
|
|
|
LIU, Wei-Chih
|
Burst Forth |
No restriction on performers |
2020 |
7'30" |
|
|
HSIAO, Yu-Ting
|
Coastline Memories and Images: Ripples from the East Route of Taiwan |
Chamber Music |
2020 |
45' |
|
|
LEE, Chien-Yu
|
I want to be the wings of the wind |
Arranger for Digital Music |
2020 |
5' |
|
|
HU, Yu-Chun
|
Last Night, When The Stars Were Bright |
National Theater, Taiwan |
2020 |
|
|
|
HUANG, Ling-Hsuan
|
No. 103 |
Installation with Wave Field Synthesis Electronics (Sound design) |
2020 |
loop |
|
|
YING, Kwang-I
|
Searching for the Light |
For film and 5.1 channel surround sound |
2020 |
|
|
|
CHIANG, Yi-Cheng
|
Harmonoise Machine |
Electronics |
2019 |
8'55" |
|
|
LIN, Mu-Xuan
|
…à… |
for solo piccolo, electronics, video, and scent |
2019 |
10'00" |
|
|
HU, Yu-Chun
|
A Date with Myself |
|
2019 |
|
|
|
CHIANG, Yi-Cheng
|
Artificial Nature |
Electronics |
2019 |
5'28" |
|
|
CHIANG, Yi-Cheng
|
Epitome of Time |
Pipa, 2 Db.,voice(Chinese opera, string quartet, and electronics |
2019 |
9'55" |
|
|
LIAO, Lin-Ni
|
How prudent that we are… I |
1) Version I for Flute, Tam-Tam, gestures, lighting and shadows / 2) Version II for Flute, Tam-Tam, gestures and video |
2019 |
8'30" |
|
|
LIN, Zoe (Yi-Cheng)
|
Searching （Time Sculpture) |
Music in multimedia (3D video game scenes)（Game version for Snow Sculpture） |
2019 |
10' (more than 10') |
|
|
HU, Yu-Chun
|
The Abandoned Deity |
|
2019 |
|
|
|
HU, Yu-Chun
|
The Blue Horses |
|
2019 |
|
|
|
LIN, Zoe (Yi-Cheng)
|
The Breath of the Forest |
Interact Musical App with algorithms |
2018-2022 |
8' |
|
|
LIN, Wei-Chieh
|
Dadaocheng - Old Town Audiovisual Creative Project |
Two Performers, Objects, Live Video and Pre-recorded Video |
2018-19 |
30' |
|
|
CHIANG, Yi-Cheng
|
Island Through Time |
Pipa, voice(Chinese opera, and string quartet |
2018 |
5'50" |
|
|
LIN, Zoe (Yi-Cheng)
|
Journey into the world of Dimensions |
For VR and live saxophone solo |
2018 |
30' |
|
|
LIN, Zoe (Yi-Cheng)
|
Snow Sculpture |
For zheng solo and 3D video game scenes |
2018 |
9' |
|
|
HUANG, Jinya
|
Une citadelle sombre — construite en fonction de la mémoire de ses anciens habitants |
|
2018 |
|
|
|
LIN, Mu-Xuan
|
如淵之深‧皇皇之力 |
for 11 solo voices, 2 percussionists, piano, and electronics |
2018 |
9'30" |
|
|
LIU, Wei-Chih
|
Blood & Rose Ensemble |
Multiple Actors (Musicians) |
2017 |
16'35" |
|
|
HU, Yu-Chun
|
Finding Shangri-La |
Shang Theatre, China |
2017 |
|
|
|
CHANG, Chieh
|
Happy Birthday to Tu Tsung-ming |
for Soprano and String Quartet |
2017 |
4' |
|
|
HSIAO, Yu-Ting
|
HuaTung Images |
Chamber Music |
2017 |
45' |
|
|
CHEN, Ke-Chia
|
Listening to the Moment |
soundtrack for photography & sound album "Memory" |
2017 |
6' |
|
|
LIN, Mu-Xuan
|
moss.. lichen… kodama purr…. |
quintet and electric fans |
2017 |
7'45" |
|
|
SHIH, Pei-Yu
|
Scene III |
Video and audiovisual media [9 phrases] |
2017 |
7'47" |
|
|
YEN, Ming-Hsiu
|
SONGS OF FLOWERS |
|
2017 |
8' |
|
|
LU, Yun
|
The Calling （音樂劇場版） |
|
2017 |
|
|
|
LIAO, Lin-Ni
|
Time of Trees II |
Piano for gestures of two pianists, shadows and light & sound installations |
2017 |
15' |
|
|
CHENG, I-Lly
|
Touche Nature |
for four water installations/ percussionist |
2017 |
10' |
|
|
SHIH, Pei-Yu
|
Scene I |
Video and audiovisual media [19 / variable numbers of movements] |
2016/2024 |
28'28" / varied lengths |
|
|
SHIH, Pei-Yu
|
Scene II |
Video and audiovisual media [4 movements] |
2016/2024 |
9'16" |
|
|
YEN, Ming-Hsiu
|
AUTUMN WIND NIGHT RAIN |
for violin and piano |
2016 |
4'20" |
|
|
YEN, Ming-Hsiu
|
CIINA CUUMA |
for orchestra |
2016 |
6'15" |
|
|
LIN, Zoe (Yi-Cheng)
|
Journey into the world of Dimensions VR |
VR iOS App |
2016 |
30' |
|
|
HUANG, Jinya
|
Mes amulettes |
|
2016 |
|
|
|
YEN, Ming-Hsiu
|
SONG OF AN-PING |
for violin and piano |
2016 |
4'30" |
|
|
LU, Yun
|
The Calling （典禮版） |
|
2016 |
|
|
|
LIAO, Lin-Ni
|
Time of Trees I |
Piano 4 hands for choreographical gesture of fingers |
2016 |
4' |
|
|
CHEN, Lily
|
collective project Triple Music |
for percussions and live installations (集體創作) |
2015 |
30' |
|
|
YEN, Ming-Hsiu
|
JUNE JASMINE |
for brass ensemble |
2015 |
3' |
|
|
TUNG, Chao-Ming
|
Darwin's Pipa |
erhu,dizi, pipa, guzheng and multimedia |
2014 |
60' |
|
|
CHENG, I-Lly
|
Des Script |
immersive music score installation |
2014 |
|
|
|
HU, Yu-Chun
|
DreaMaker |
|
2014 |
|
|
|
YEN, Ming-Hsiu
|
SONGS OF FLOWERS |
for voice, viola and piano |
2014 |
8' |
|
|
CHENG, Wei-Chung
|
a coin |
|
2013 |
|
|
|
CHEN, Chia-Hui
|
Depuis que Manon m'a quitté |
紀錄片音樂 |
2013 |
24' |
|
|
CHENG, Wei-Chung
|
I guess there is nothing |
|
2013 |
|
|
|
CHEN, Chia-Hui
|
Quand reviendras-tu ? |
電影音樂 |
2013 |
18' |
|
|
LI, Yuan-Chen
|
The Dead of Winter |
Piano Improvisation for Video |
2013 |
|
|
|
LI, Yuan-Chen
|
The Upper Hallway |
Score for modern dance: piano |
2013 |
|
|
|
LIAO, Lin-Ni
|
Vent Debout, Citoyen! 民意如風起 |
Prepared piano and storyteller |
2013 |
75' |
|
|
SHIH, Pei-Yu
|
Fairy tale [MA und AH] |
Video and audiovisual media [19 stories, 16 musical bridges ] |
2012 |
48'43" |
|
|
LIN, Mu-Xuan
|
La passion d’une belle journée (selon une toilette autonettoyant) |
tape |
2012 |
|
|
|
CHEN, Cheng-Wen
|
listen to Hearing |
sound installation for six mobile speakers |
2012 |
28' |
|
|
LIN, Shuo-Chun
|
Morning Call |
Symphonic Band |
2012 |
8' |
|
|
SHIH, Pei-Yu
|
Poetry set |
Video and audiovisual media [19 pieces] |
2012 |
25'36" |
|
|
SHIH, Pei-Yu
|
Songbook series |
Video and audiovisual media [10 series] |
2012 |
51'36'' |
|
|
HU, Yu-Chun
|
The Electric Leg |
|
2012 |
|
|
|
CHIANG, Chia-Ying
|
Three Poems |
Soprano and Piano |
2012 |
|
|
|
Lee, Wen-Pin Hope
|
Family Shoes |
Television and the Internet |
2011 |
|
|
|
Lee, Wen-Pin Hope
|
LP33 Yogurt, LP33 Capsules |
Television and the Internet |
2011 |
|
|
|
LIAO, Lin-Ni
|
Maui tikitiki a Taranga 莫伊傳說 |
Pre-Recording/ Percussions/ Keyboard/ Puppet Theater |
2011 |
50' |
|
|
Lee, Wen-Pin Hope
|
Mayushan Milk Cereal |
Television and the Internet |
2011 |
|
|
|
Lee, Wen-Pin Hope
|
The Republic of Chocolate |
Museum |
2011 |
|
|
|
HU, Yu-Chun
|
Burning the Midnight Oil |
|
2010 |
|
|
|
LI, Yuan-Chen
|
Folksong - Homage to Formosa |
fl, cl, 2p, hp, mezzo, vla, and vc (same instrumentation as Berio’s Folk Songs). |
2010 |
30' |
|
|
HU, Yu-Chun
|
Pick a Future |
|
2010 |
|
|
|
HU, Yu-Chun
|
The Quiet Builder – John and Shige |
|
2010 |
|
|
|
LIU, Wei-Chih
|
Wind and Rock |
Flute, Piano, Percussion and Electronics |
2010 |
20' |
|
|
LI, Yuan-Chen
|
ELEVEN |
Score for modern dance: ob, pno, perc, and tape |
2009 |
15' |
|
|
Lee, Wen-Pin Hope
|
Feint-and-Parry Misdirect
Taiwanese Nursery Rhyme Series
Image-Interactive Virtual Musical Theater |
for Vocal, Prepared Piano with Amplified Effect and Percussion Quartet |
2009 |
|
|
|
LIN, Kuei-Ju
|
listenning to the darkness |
interactive sound installation |
2009 |
|
|
|
HU, Yu-Chun
|
River, Wind and Tree |
|
2009 |
|
|
|
YEN, Ming-Hsiu
|
FATHER LOVES US ALL |
2222 / 4220 / Timp / Chorus / Strings |
2008 |
5' |
|
|
Lee, Wen-Pin Hope
|
The Hour of Boisterousness |
Image-Interactive Virtual Musical Theater
For Chinese and Western Percussion |
2008 |
|
|
|
Lee, Wen-Pin Hope
|
The Series of Taiwanese Folklores: Musical Theater
The Folklores of the Fibber |
For a Solo Dancer, Violin, Piano, Percussion, and Audio-Visual Interaction |
2008 |
|
|
|
CHANG, Yu-Hui
|
The Orphan of Zhao (incidental music for theater) |
erhu, yang-qin, viola, cello, percussion |
2007 |
38' |
|
|
Lee, Wen-Pin Hope
|
Dimensions |
for Performance and Interactive Image |
2006 |
|
|
|
LI, Yuan-Chen
|
Hakka Folk Song Cycle |
客家民間歌手與國樂團 |
2006 |
42' |
|
|
TSAI, Ling-Huei
|
Lysistrata |
Vocalists, actors, Clarinet, Percussion, Violoncello, Piano |
2006 |
|
|
|
LIAO, Lin-Ni
|
Ratatouille, Tignasse et CO. |
Pre-Recording |
2006 |
45' |
|
|
CHENG, Wei-Chung
|
Silent Night |
|
2006 |
|
|
|
Lee, Wen-Pin Hope
|
Association with Raindrops |
Three Pieces of Electronic Music and Interactive Images |
2005 |
|
|
|
YEN, Ming-Hsiu
|
LET ALL MORTAL FLESH |
2222 / 4220 / Timp / Soprano / Strings |
2005 |
9' |
|
|
TSAI, Ling-Huei
|
Wu Song Flights with Hokopo |
Vocalists, actors, Nanguan ensemble, Beijing Opera percussion |
2004 |
|
|
|
TSAI, Ling-Huei
|
A Deadly Joke |
Vocalists, actors, percussion |
2002 |
|
|
|
TSAI, Ling-Huei
|
The Lost Kingdom — Kung-Yue Society |
Suona, Percussion, String quartet |
1998 |
|
|
|
Lee, Chihchun Chi-sun
|
A Mother's Prayer |
Film scoring, sound edition and sound effec |
1995 |
|
|
|
TSAI, Ling-Huei
|
Child of a Lesser God |
Electroacoustic muisc |
1995 |
|
|
|
Lee, Chihchun Chi-sun
|
China Garden |
Film scoring |
1995 |
|
|
|
Lee, Chihchun Chi-sun
|
four documentary films |
Film scoring |
1995 |
|
|
|
Lee, Chihchun Chi-sun
|
Television shows |
Music compositions |
1995 |
|
|
|
Lee, Chihchun Chi-sun
|
Dream |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Hope there are some changes Tomorrow |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Indulgence |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Insomnious Night |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Old Sweater |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Rain Flower |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Say Good-bye to you |
Commercial Music |
1994 |
|
|
|
Lee, Chihchun Chi-sun
|
Mechanical World |
for tenor and electronic band |
1993 |
|
|
|
Lee, Chihchun Chi-sun
|
Six popular pieces |
for piano solo |
1993 |
|
|
|
Lee, Chihchun Chi-sun
|
It's an Enigma |
Commercial Music |
1992 |
|
|
|
Lee, Chihchun Chi-sun
|
Someday |
Commercial Music |
1992 |
|
|
|
PAN, Hwang-Long
|
Country Wine Song |
Orchestral Song, Composer/Chuan-Sheng Lu, Orchestrator/Hwang-Long Pan |
1991 |
|
|
|
PAN, Hwang-Long
|
Lullaby |
Orchestral Song, Poet/Yun-Sheng Lu, Composer/Chuan-Sheng Lu, Orchestrator/Hwang-Long Pan |
1991 |
|
|
|
Lee, Chihchun Chi-sun
|
My Dear, My Friend |
Commercial Music |
1991 |
|
|
|
PAN, Hwang-Long
|
Slow Slow Tune |
Orchestral Song, Poet/Li-Ching Sung, Composer/Yong-Si Hwang, Orchestrator/Hwang-Long Pan |
1986 |
|
|
|
PAN, Hwang-Long
|
Plow Song |
Mixed Chorus a cappella (Taiwanese Folk Song) |
1982 |
|
|
|
PAN, Hwang-Long
|
Remembering |
Mixed Chorus a cappella (Taiwanese Folk Song) |
1982 |
|
|
|
PAN, Hwang-Long
|
Weisser Jasmin im Juni |
Mixed Chorus a cappella (Taiwanese Folk Song) |
1982 |
|
|
|
PAN, Hwang-Long
|
Little River Flows |
Mixed Chorus a cappella (Yunnan Folk Song) |
1969 |
|
|