|
SHIH, Pei-Yu
|
Electroacoustic and electronic music series |
Multichannel audio |
see note |
115'30" |
|
|
LIN, Zoe (Yi-Cheng)
|
3D Illusory Immersive Soundscape: Lava's Roaring Dance |
Immersive Electroacoustic Music |
2024 |
10'16" |
|
|
JEN, Chen-Hui
|
…leaving…, in leaves |
Heageum, Electronics |
2023-24 |
14' |
|
|
LIN, Zoe (Yi-Cheng)
|
3D Illusory Immersive Soundscape: Glacier |
Immersive Electroacoustic Music |
2023 |
10'00" |
|
|
CHEN, Yu-Jumg
|
Across the Unreal Sea |
Violoncello, live elecronics, and video |
2023 |
21'39" |
|
|
Li, Jang
|
Adolescence |
Chromatic harmonica、Piano、Electronics |
2023 |
3'30" |
|
|
CHEN, Yu-Jumg
|
After the Ashes |
Violoncello, multi-channels live elecronics, and video |
2023 |
13'20" |
|
|
HUI, Tak-Cheung
|
Ashes to Ashes II |
for Flute, Clarinet, Cello & Live Electronics |
2023 |
|
|
|
HUI, Tak-Cheung
|
Diachronic Apparatuses |
8-channel Sound installation |
2023 |
13' |
|
|
Li, Jang
|
Flow |
Chromatic harmonica、Electronics |
2023 |
4'00" |
|
|
HUANG, Ling-Hsuan
|
LIMBOTOPIA - Impermanence |
VR and Ambisonics |
2023 |
25'00" |
|
|
KAO, Chen-Kang
|
Mist |
Fixed Media |
2023 |
4'56'' |
|
|
Li, Jang
|
The Galaxy Railways |
Chromatic harmonica、Samissan、Electronics |
2023 |
5'00" |
|
|
WANG, Chih-Yun
|
The Misreading of Penrose |
for Amplified Double Bass and electronics |
2023 |
12'00" |
|
|
JEN, Chen-Hui
|
after an autumn haze |
Bassoon, Erhu, Sheng, Electronics |
2022 |
14' |
|
|
HUI, Tak-Cheung
|
Ashes to Ashes (2021) |
Site Specific work for Flutes/3D Printing Flutes, Percussions/Deer Horns/Metal Scrapes & Live Electronics |
2022 |
15' |
|
|
LIN, Zoe (Yi-Cheng)
|
Aurora |
for Solo Saxophone and Multi-Channel Immersive Electroacoustic Music |
2022 |
10'08" |
|
|
CHEN, Yu-Jumg
|
Dynamic Boundary- Heterogeneous Convolution |
Multi-channels electronic music and video |
2022 |
13'20" |
|
|
CHEN, Yu-Jumg
|
Lightscape of the Silence |
Multi-channels electronic music and video |
2022 |
13'00" |
|
|
LIN, Zoe (Yi-Cheng)
|
OWt's World |
for Flute, Clarinet, Zheng, Percussion and Multi-Channel Immersive Electroacoustic Music |
2022 |
8'21" |
|
|
HUI, Tak-Cheung
|
Remain for those Remains |
16-channel sound installation |
2022 |
13' |
|
|
HUI, Tak-Cheung
|
Tales of Tales |
Percussions, re-arrangement of Taiwanese Traditional Puppet Opera & Electronics |
2022 |
16' |
|
|
LIN, Zoe (Yi-Cheng)
|
Walking into Consciousness of Flowers |
Immersive Electroacoustic Music |
2022 |
8'12" |
|
|
HUANG, Ling-Hsuan
|
Trompe l'oreille II |
Video and Four-Channel Sound Installation |
2021 |
5'00" |
|
|
KAO, Chen-Kang
|
Afternoon Rain in a Cave |
Fixed Media |
2021 |
2'58'' |
|
|
WANG, Chih-Yun
|
Cantilena of Shivering Bow |
for Percussion solo and electronic music |
2021 |
13'30" |
|
|
CHENG, Wei-Chung
|
Ciao Milano |
|
2021 |
|
|
|
CHAN, Ya-Lan
|
Doppelgäner |
for bass clarinet solo and tape |
2021 |
12'00" |
|
|
LIN, Zoe (Yi-Cheng)
|
Image of Watercolor Painting |
Immersive Electroacoustic Music |
2021 |
8'48" |
|
|
LIN, Zoe (Yi-Cheng)
|
Meditation through Glass |
Immersive Electroacoustic Music |
2021 |
9'04" |
|
|
LIN, Zoe (Yi-Cheng)
|
Music from the Metaverse: 3D Illusory Immersive Soundscape “The Spirit of the Giant Tree” |
Immersive Electroacoustic Music |
2021 |
8'40" |
|
|
LIN, Zoe (Yi-Cheng)
|
Self Portrait |
Immersive Electroacoustic Music |
2021 |
9'10" |
|
|
LUO, Fang-Wei
|
Songs of Desolation |
for electroacoustic music with 49.4 ambisonics |
2021 |
12'34" |
|
|
HUANG, Ling-Hsuan
|
sono.gravitas |
Two Performers, Objects and Ambisonics |
2021 |
18'00" |
|
|
LIN, Zoe (Yi-Cheng)
|
Summer in Trees |
Immersive Electroacoustic Music |
2021 |
8'12" |
|
|
HUI, Tak-Cheung
|
Tangled Memory |
for City Ambiance, Live Electronic, Video & Flute |
2020 |
10' |
|
|
CHEN, Yu-Jumg
|
Circulation |
Electronic music and dance |
2020 |
14'28" |
|
|
CHEN, Yu-Jumg
|
Corrosion |
Zheng, live elecronics |
2020 |
8'15" |
|
|
LIN, Zoe (Yi-Cheng)
|
Dance of the Soul |
Solo Harpsichord and Immersive Electroacoustic Music |
2020 |
13'48" |
|
|
CHEN, Yu-Jumg
|
Invisible Ash |
Zheng, piano, violin, violoncello, percussion, dance, elecronics, and video |
2020 |
20'52" |
|
|
CHENG, I-Lly
|
Mikrokosmos No.1 |
for VR and Ambisonic system |
2020 |
5' |
|
|
LIN, Zoe (Yi-Cheng)
|
Music of VR Movie—“Divining into Siraya” |
Electronics (3D immersive music for VR) |
2020 |
20' |
|
|
JEN, Chen-Hui
|
Onto the Silent Peaks |
Piano, Electronics |
2020 |
13' |
|
|
LIN, Zoe (Yi-Cheng)
|
Pray for Life |
For harpsichord and electronic music |
2020 |
8' |
|
|
LIN, Shuo-Chun
|
The Release |
Vla. + Live Electronics |
2020 |
6' |
|
|
LIN, Mei-Fang
|
Trail of Sound |
Acousmatic |
2020 |
12'10" |
|
|
CHENG, I-Lly
|
Yong |
for sheng, synthesizer and 8 channels live electronics |
2020 |
15' |
|
|
LIN, Zoe (Yi-Cheng)
|
Zen In Suiboku-ga (Oriental Ink Wash Painting) |
Electronics |
2020 |
7' |
|
|
HUANG, Jinya
|
Avant mibetik |
|
2019-20 |
|
|
|
Chen, Heng
|
Vox I |
37 reeds sheng and electronic |
2019-20 |
13' |
|
|
Li, Sandra Tavali Wuan-chin
|
Gliricidia Dance |
two pianos, trombone and computer-generated sound |
2019 |
7'00" |
|
|
HUANG, Ling-Hsuan
|
<8> |
Wave Field Synthesis Electronics |
2019 |
7'00" |
|
|
LIN, Zoe (Yi-Cheng)
|
Grandma's memories |
For electronics and sound recordings |
2019 |
7' |
|
|
LIN, Zoe (Yi-Cheng)
|
Hey Kid |
For electronics and sound recordings |
2019 |
28' |
|
|
CHENG, I-Lly
|
Misreading |
for 40 installed transducers under concert hall chairs and projection mapping one the ceiling |
2019 |
12' |
|
|
LIN, Mei-Fang
|
Songs, Recollections |
Viola, Fixed Electronics |
2019 |
15'10" |
|
|
LIN, Zoe (Yi-Cheng)
|
Star fantasy |
Electronics |
2019 |
6' |
|
|
HUI, Tak-Cheung
|
Things that might have been |
for Flute, Electronics and Video |
2019 |
15' |
|
|
CHEN, Yu-Jumg
|
Breath Between Leaving |
Electronic music |
2018 |
7'48" |
|
|
Li, Sandra Tavali Wuan-chin
|
Duet in Autumn |
Mac, MAX MSP, Yamaha Disklavier Piano |
2018 |
5'00" |
|
|
Chen, Heng
|
Étude de réspiration II |
oboe and electronic |
2018 |
8' |
|
|
HSIUNG, Jen-Yueh
|
Fly Fire |
for Flute and electronics |
2018 |
06'00" |
|
|
JEN, Chen-Hui
|
From Fading Mountains |
Erhu, Pipa, Zheng, Electronics |
2018 |
12' |
|
|
Li, Sandra Tavali Wuan-chin
|
In A Soundscape 2 |
oboe and computer-generated sound |
2018 |
7'00" |
|
|
HUANG, Pei-Fen
|
Lang Lao |
8.1 channels |
2018 |
8' |
|
|
HUI, Tak-Cheung
|
Like a Moth in the Rain |
Prepared Bass Flute and Live Electronics |
2018 |
11' |
|
|
CHEN, Yu-Jumg
|
Looping |
Vibraphone solo, live electronics and video |
2018 |
9'35" |
|
|
CHEN, Ke-Chia
|
Moments Before |
percussion ensemble and fixed media |
2018 |
12' |
|
|
Li, Sandra Tavali Wuan-chin
|
Peter Tscherkassy: L'Arrivée（Soundtrack） |
computer-generated sound |
2018 |
3'00" |
|
|
CHOU, Hsin-Chun
|
Savage Night/野生之夜 (即興版本） |
solo percussion, Electronics |
2018 |
|
|
|
Li, Sandra Tavali Wuan-chin
|
Summer Morning Rain |
piano and computer-generated sound |
2018 |
5'00" |
|
|
CHENG, I-Lly
|
Touch - Duo |
two water installations |
2018 |
12' |
|
|
CHENG, I-Lly
|
Touch - Solo |
for one water installation and a performer |
2018 |
5-10' |
|
|
CHENG, I-Lly
|
Touch - Trio |
for three sound/ video installations and three performers |
2018 |
10' |
|
|
TZENG, Shing-Kwei
|
A Prayer for Hometown |
Electron-acoustic Stereo |
2017 |
7'20" |
|
|
YU, Chung-Yuan
|
Away, Home |
for Erhu, Piano and Electronic Sound |
2017 |
|
|
|
LIN, Zoe (Yi-Cheng)
|
Deadlines |
Electronics |
2017 |
1'30" |
|
|
Li, Sandra Tavali Wuan-chin
|
In A Soundscape |
two pianos and computer-generated sound |
2017 |
7'00" |
|
|
LIN, Mu-Xuan
|
je tu il-là elles |
for flute, clarinet, harp, percussion, and electronics |
2017 |
17'30" |
|
|
CHEN, Cheng-Wen
|
present absence |
for a pianist and grand piano with live-electronics |
2017 |
20' |
|
|
HSIAO, Yu-Ting
|
Pulse of Yilan |
for percussion duet and reset electric music |
2017 |
12' |
|
|
LIN, Mu-Xuan
|
speckled deep ∆ Force Majeure (2017) |
11 voices, 2 percussions, piano, and electronics |
2017 |
9'30" |
|
|
LIN, Mei-Fang
|
Time/Construction I & II |
Percussion I, Percussion II, Piano, Fixed Electronics |
2017 |
10' |
|
|
JEN, Chen-Hui
|
until after the twilight |
Flute, Accordion, Cello, Contrabass, Electronics |
2017 |
11' |
|
|
HUNG, Chih-Fang
|
Wind Moon Thoughts |
Computer Music and Soprano, Violin |
2017 |
7'33" |
|
|
WANG, Sue-Ya
|
worms tide/worms marée |
Acteur et électronique image interactive |
2017 |
10' |
|
|
HSIAO, Yung-Shen
|
翼/Wing |
|
2017 |
|
|
|
TSAI, Dong-Han
|
Above Earth |
Percussion Ensemble and Electronics |
2016 |
|
|
|
LIN, Shuo-Chun
|
Collapse |
Live Elc. + Pno. + Actor |
2016 |
4' |
|
|
TZENG, Shing-Kwei
|
Hometown Soundscapt |
Electron-acoustic |
2016 |
12' |
|
|
HUANG, Pei-Fen
|
In the name of love |
Flute and 8.1 channels |
2016 |
8' |
|
|
CHENG, Wei-Chung
|
Indie Game 《UNCLEGO》soundtrack |
|
2016 |
|
|
|
LO, Shih-Wei
|
On The Fringe |
six voices, two percussion, two pianos, electronics |
2016 |
8'30" |
|
|
CHOU, Hsin-Chun
|
Rebirth/重生（合唱版） |
solo percussion, chorus, Electronics |
2016 |
|
|
|
CHANG, Chieh
|
The Secret |
for Pipa and Electronics |
2016 |
5' |
|
|
CHEN, Cheng-Wen
|
TRIO: Anwesende Abwesenheit |
music in three separate rooms and live-electronics |
2016 |
50' |
|
|
CHEN, Cheng-Wen
|
«... in der Welt ...» II |
acousmatic composition |
2015 |
2'39" |
|
|
CHEN, Cheng-Wen
|
«... in der Welt ...» II |
for choir and tape |
2015 |
10' |
|
|
CHEN, Cheng-Wen
|
«... in der Welt ...» IV |
soundscape with speaking cello-corpus |
2015 |
15' |
|
|
JEN, Chen-Hui
|
across & between II: into the
chasm |
Electric Guitar, Small Percussion |
2015 |
8' |
|
|
Li, Sandra Tavali Wuan-chin
|
Ban Shan |
computer-generated sound |
2015 |
4'00" |
|
|
JEN, Chen-Hui
|
Drifting Mountainwards |
Pipa, Electronics |
2015 |
8' |
|
|
LIN, Mei-Fang
|
Entre le son et la lumière |
Acousmatic |
2015 |
7'50" |
|
|
SHIH, Pei-Yu
|
Escape |
Electronic music |
2015 |
1'29'' |
|
|
CHENG, Wei-Chung
|
Indie Game《DUSTATIC》Intro |
|
2015 |
|
|
|
CHEN, Yu-Jumg
|
Inner Field |
Chinese flute, string quartet, electronics, dancer, and live video |
2015 |
8'33" |
|
|
LO, Shih-Wei
|
Madhye II |
Soprano, Mezzo-soprano, Alto, Tenor, Baritone, Bass, Ambisonics |
2015 |
8'30" |
|
|
LO, Shih-Wei
|
On The Fringe |
electronics |
2015 |
8'30" |
|
|
CHEN, Cheng-Wen
|
Orchidee |
for violoncello solo and live-electronics with or without percussion |
2015 |
13' |
|
|
LIN, Mu-Xuan
|
Pale Fire |
piano solo with electronics |
2015 |
7'40"-8'20" |
|
|
CHOU, Hsin-Chun
|
Rebirth/重生（多媒體版） |
solo percussion, baryton, Electronics, live video |
2015 |
|
|
|
LO, Shih-Wei
|
The City of Solitude |
cello, two harps, electronics, video installation |
2015 |
10' |
|
|
Li, Sandra Tavali Wuan-chin
|
Weave |
orchestra and computer-generated sound |
2015 |
4'00" |
|
|
CHENG, Wei-Chung
|
《Electric Queen 》album |
|
2014 |
|
|
|
JEN, Chen-Hui
|
across & between I |
Electric Guitar, Percussion |
2014 |
8' |
|
|
CHEN, Yu-Jumg
|
Die Verwandlung |
Violin, violoncello, soprano, horn, piano, dancer, live video and electronics |
2014 |
16'20" |
|
|
JEN, Chen-Hui
|
Inwards, drinking with my
shadow |
Classical Guitar, Electronics |
2014 |
7' |
|
|
LIAO, Lin-Ni
|
Le train de la vie 浮生 V - Alison |
Electric guitar + Electronics |
2014 |
8'30" |
|
|
LEE, Ya-Ting
|
Tilting at Windmills (Don Quixote) |
for Percussion Solo and Max MSP |
2014 |
|
|
|
CHEN, Yu-Jumg
|
01.20 |
Violoncello, piano, video and electronics |
2013 |
9'24" |
|
|
JEN, Chen-Hui
|
As Hovering Ashes in a QuarterMoon |
Cello, Live Electronics |
2013 |
14' |
|
|
CHEN, Cheng-Wen
|
Der Nebel, der Vogel und der Prophet |
acousmatic composition |
2013 |
3'16" |
|
|
CHIU, Yen-Ning
|
In der Eischale... |
In der Eischale... |
2013 |
10' |
|
|
TUNG, Chao-Ming
|
Karma of Stone and Bamboo |
bamboo, live electronics and live video |
2013 |
7' |
|
|
CHEN, Cheng-Wen
|
Libra |
for a cymbal player with or without live electronics |
2013 |
12' |
|
|
LO, Shih-Wei
|
Madhye |
3 sopranos, mixed choir, electronics, video |
2013 |
8'13" |
|
|
TZENG, Shing-Kwei
|
Tai chi 42 Postures as Interactive Performance |
Tai chi player with Max/MSP computer interactive performance |
2013 |
8' |
|
|
TZENG, Shing-Kwei
|
The Five Elements II - Water |
Electron-acoustic |
2013 |
9'30" |
|
|
LIN, Mei-Fang
|
The Origin of Flux |
Acousmatic |
2013 |
7' |
|
|
SHIH, Pei-Yu
|
Waiting |
Electronic music |
2012 |
3'30'' |
|
|
LIN, Zoe (Yi-Cheng)
|
Dialogue Entre Des Temps |
For saxophone solo and pre-recorded music |
2012 |
10' |
|
|
SHIH, Pei-Yu
|
Dream's Scene |
Multichannel audio |
2012 |
1'16'' |
|
|
SHIH, Pei-Yu
|
Dreieckige Beziehungen |
Multichannel audio |
2012 |
5'41'' |
|
|
SHIH, Pei-Yu
|
Flying I-IV |
Multichannel audio |
2012 |
7'38'' |
|
|
CHENG, Wei-Chung
|
Indie Game《Fish》soundtrack |
|
2012 |
|
|
|
LIAO, Lin-Ni
|
Le train de la vie 浮生 III - WE |
Erhu + Electroacoustic |
2012 |
12' |
|
|
LIAO, Lin-Ni
|
Le train de la vie 浮生 IV - TT |
Electroacoustic |
2012 |
10'30" |
|
|
LIN, Kuei-Ju
|
Swirling Clouds |
Erhu, Pipa, Zheng and prepared electronics |
2012 |
12' |
|
|
LO, Shih-Wei
|
Things Hoped For, Things Unseen |
harp, electroinics, video |
2012 |
8'15" |
|
|
CHIEN, Yu-Chun
|
Wow |
electronics |
2012 |
|
|
|
LIN, Zoe (Yi-Cheng)
|
“Glorious” Beethoven |
Electronics |
2011 |
15' |
|
|
LO, Shih-Wei
|
Beyond The Distance, Between The Souls |
percussion and electronics |
2011 |
8' |
|
|
CHIEN, Yu-Chun
|
Capriccio for Pipa |
electronics |
2011 |
|
|
|
CHEN, Cheng-Wen
|
Chin-Ko-Chi III |
for bass flute solo with live electronics |
2011 |
6' |
|
|
LIN, Mei-Fang
|
Flux |
Marimba, Fixed Electronics |
2011 |
7'30" |
|
|
CHEN, Chia-Hui
|
Lun Hui |
électroacoustique |
2011 |
6' |
|
|
TZENG, Shing-Kwei
|
The Five Elements I - Chaos Taiji |
Electronic and Video |
2011 |
10' |
|
|
SHIH, Pei-Yu
|
Bird |
Multichannel audio |
2010 |
3'54'' |
|
|
CHEN, Chia-Hui
|
Compression |
électroacoustique |
2010 |
5'30" |
|
|
JEN, Chen-Hui
|
d' un songe |
Piano, Live Electronics |
2010 |
13' |
|
|
CHEN, Chia-Hui
|
Échappée |
électroacoustique |
2010 |
5'30" |
|
|
LO, Shih-Wei
|
Hidden Dimensions |
electronics |
2010 |
5' |
|
|
LIAO, Lin-Ni
|
Le train de la vie 浮生 I - LR |
Electroacoustic |
2010 |
8'30" |
|
|
LIAO, Lin-Ni
|
Le train de la vie 浮生 II - Doris |
Guitar + Electroacoustic |
2010 |
10' |
|
|
SHIH, Pei-Yu
|
Milchstrasse |
Multichannel audio |
2010 |
11'35'' |
|
|
CHEN, Chia-Hui
|
Wang Chun Feng |
électroacoustique |
2010 |
6' |
|
|
WANG, Sue-Ya
|
eau |
son électronique,gest avec interactif image |
2009 |
10' |
|
|
WANG, Sue-Ya
|
figure |
son électronique,gest avec interactif image |
2009 |
10' |
|
|
SHIH, Pei-Yu
|
F's 65 |
Multichannel audio |
2009 |
1'05'' |
|
|
CHENG, I-Lly
|
Into Strings |
Electronics |
2009 |
5' |
|
|
SHIH, Pei-Yu
|
Red Chamber |
Multichannel audio |
2009 |
7'41'' |
|
|
JEN, Chen-Hui
|
Those Remaining Words in Nuance |
Soprano, Electronics |
2009 |
9' |
|
|
SHIH, Pei-Yu
|
Abrupter Abbruch |
Contrabass and 6 loudspeakers |
2008 |
6'54'' |
|
|
LIN, Mei-Fang
|
Figurations |
Acousmatic |
2008 |
4'6" |
|
|
CHOU, Chiu-Yu
|
Hsia Ch'ing |
電子音樂、古箏 |
2008 |
5' |
|
|
SHIH, Pei-Yu
|
Slow Slow Tune |
Flute, clarinet, piano, violin, violoncello and 8 loudspeakers |
2008 |
9'00" |
|
|
HSIEH, Long-Kwang
|
Wish |
For viola and electronic music |
2008 |
10' |
|
|
SHIH, Pei-Yu
|
Gedicht vom Wind des Herbstes |
Saxophone, piano, percussion and 8 loudspeakers |
2007 |
10'23'' |
|
|
LEE, Ya-Ting
|
Trio |
Trio |
2007 |
|
|
|
SHIH, Pei-Yu
|
Fall, aus der Zeit |
Multichannel audio |
2006 |
9'55'' |
|
|
SHIH, Pei-Yu
|
Liu An Huwa Ming |
Multichannel audio |
2006 |
7'58'' |
|
|
SHIH, Pei-Yu
|
Zwei singende Klarinette |
Clarinet and multichannel audio |
2006 |
10'00" |
|
|
TZENG, Shing-Kwei
|
Experiment Notebook |
Er-hu and Synthsizer Roland JP-8000 |
2005 |
10' |
|
|
SHIH, Pei-Yu
|
I am another yourself |
Pipa, light and 4 loudspeakers |
2005 |
11'58'' |
|
|
YEN, Ming-Hsiu
|
LEFT BEHIND |
Electronics |
2005 |
4'45" |
|
|
SHIH, Pei-Yu
|
Schein und Sein II |
Computer piano, a pianist and multichannel audio |
2005 |
5'30'' |
|
|
SHIH, Pei-Yu
|
Blume Hand Laecheln |
Percussion and 6 loudspeakers |
2004 |
11'25'' |
|
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SHIH, Pei-Yu
|
Brennede Gedanken |
4 loudspeaker |
2004 |
9'35'' |
|
|
YEN, Ming-Hsiu
|
ICICLES |
Electronics |
2004 |
4'40" |
|
|
LIN, Mei-Fang
|
Multiplication Virtuelle |
Percussion, Live Electronics |
2004 |
11'30" |
|
|
LIN, Kuei-Ju
|
Sketchbook IV |
violin, violoncello and 4 channel live electronics |
2004 |
11' |
|
|
HUNG, Chih-Fang
|
Song of Wanderers |
Computer Music and Violin |
2004 |
7'24" |
|
|
TUNG, Chao-Ming
|
心經 |
guzheng and live electronics |
2004 |
10' |
|
|
SHIH, Pei-Yu
|
Schein und Sein I |
Computer piano and a pianist |
2002-2003 |
5'05'' |
|
|
Wu, Dye
|
Déjà Vu |
Computer Multimedia |
2002 |
12'24" |
|
|
HSIEH, Long-Kwang
|
The New Dream of Nan-Ko |
For fl. cl. perc. piano and electronic music. |
2002 |
16' |
|
|
HSIEH, Long-Kwang
|
Two Prelude |
For String orchestra and electronic music |
2002 |
10' |
|
|
SHIH, Pei-Yu
|
CHI-ruhende Kraft, Bewegungen |
8 loudspeakers |
2001-2002 |
13'05'' |
|
|
SHIH, Pei-Yu
|
…Ausserdem |
8 loudspeakers |
2001 |
13'27'' |
|
|
SHIH, Pei-Yu
|
Etuede |
Boesendorfer computer piano |
2001 |
8'08'' |
|
|
LIN, Mei-Fang
|
Interaction |
Piano, Fixed Electronics |
2001 |
7'40" |
|
|
SHIH, Pei-Yu
|
Taipei Sketch |
Voice, instrumental occupation, tape and video [Y.M.] |
2001 |
7'58'' |
|
|
HSIEH, Long-Kwang
|
The Rainbow |
For clarinet (bass clarinet) , narrator and electronic music |
2001 |
10' |
|
|
YANG, Jin-Fong
|
Space (空間) |
Flute、Clarinet、Bassoon、Trumpt、PercussionI、PercussionⅡ、Violin、Double Bass、Piano、Computer |
2000 |
|
|
|
HSIEH, Long-Kwang
|
Auschwich |
For clarinet (bass clarinet) and electronic music |
2000 |
13' |
|
|
LIN, Mei-Fang
|
Internal Landscape |
Acousmatic |
2000 |
7'56" |
|
|
LIN, Mei-Fang
|
Ascension |
Acousmatic |
1999 |
5'36" |
|
|
Wu, Dye
|
Phenomena of Changes 8'01" |
Computer Music |
1999 |
8'01" |
|
|
TSAI, Ling-Huei
|
Twisted Reed |
tape |
1999 |
|
|
|
Wu, Dye
|
Phenomena & idea 1001 |
Vocal & Computer |
1998 |
12'00" |
|
|
WANG HWANG, I-Uen
|
The Blossoming of Life |
electronic tape and violin solo |
1997 |
|
|
|
Lee, Chihchun Chi-sun
|
Scream |
for electronic music |
1996 |
3' |
|
|
CHEN, Chiung-Yu
|
Images |
for Computer Music |
1995 |
|
|
|
Lee, Chihchun Chi-sun
|
The Prayer |
for electronic music |
1995 |
12' |
|
|
Lee, Chihchun Chi-sun
|
Dialog |
for four percussionists and tape |
1994 |
10' |
|
|
Lee, Chihchun Chi-sun
|
Natural Dance |
for electronic music |
1994 |
10' |
|
|
Lee, Chihchun Chi-sun
|
Process I–IV |
for electronic music and dance |
1992 |
|
|
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Lee, Chihchun Chi-sun
|
Chant |
for electronic tape |
1991 |
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Lee, Chihchun Chi-sun
|
Cry |
for cello solo and electronic music |
1991 |
|
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Lee, Chihchun Chi-sun
|
Dance of Hell |
for electronic music and metal tape music |
1991 |
|
|
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Lee, Chihchun Chi-sun
|
Music for Dance |
for electronic music |
1991 |
|
|
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Lee, Chihchun Chi-sun
|
Sight |
for prerecorded piano and manipulated voices |
1991 |
|
|
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Lee, Chihchun Chi-sun
|
Bright and Heat |
for electone and electronic music band |
1990 |
5' |
|
|
SU, Fan-Ling
|
Himmel |
percussion & tape |
1990 |
10' |
|
|
SU, Fan-Ling
|
Singing Earth |
electronic music tape |
1990 |
9'15'' |
|
|
SU, Fan-Ling
|
Pentagon |
piano & electronic music tape |
1989 |
15'30'' |
|
|
SU, Fan-Ling
|
Yang-Quan-Huei |
soprano, Hu-Chin, cello & tape |
1989 |
12' |
|
|
SU, Fan-Ling
|
Capriccioso II f |
electronic music tape |
1988 |
16'30'' |
|
|
Lee, Chihchun Chi-sun
|
Soun, Wu–Kong--the King of Monkey |
for electone solo |
1988 |
13' |
|